JHS Pedals Little Black Buffer - Signal Buffer

The RockBoard QuickMount System was designed to do away with sticky hook and loop tape that attracts dust and dirt and is a hassle to remove from your pedals. It fits perfectly in the RockBoard Slot Grid on our pedalboards and allows instant secure mounting of your pedals. The QuickMount plates are designed to screw onto the back of your pedals, using the original screws (or supplied replacement screws) and to be easily removable without any residue. The RockBoard QuickMount Type E was specially developed for standard size Boss compact series effects pedals.QuickMount Pedal Mounting Plate for standard size Boss compact series effects pedalsmounting hole distance (W x D): 55 x 111 mm / 2 11/64" x 4 3/8"safely mounts your effects pedals on RockBoard pedalboardsreplaces sticky hook and loop tapemounts on top of existing effects pedal back plates, removable without any residueno permanent modifications necessarymade of carbon-reinforced composite plasticincludes replacement mounting screwsROCKBOARD®, PEDALSAFE®, and QUICKMOUNT® are trademarks of Warwick GmbH & Co. Music Equipment KG and may be registered in one or more product classes with the US Patent and Trademark Office. Some of the trademarks mentioned may also be protected in certain regions for one or more categories of goods. This list does not represent a complete overview of all Warwick trademarks and does not include common law trademarks or service marks. All other names and trademarks mentioned here are trade names, trademarks, or service marks of their respective owners. 

The RockBoard® PatchWorks Solderless Patch Cable System features the first genuine 2-directional 2-piece solderless plug design on the market designed and developed in Germany. They will always offer the plug orientation you need, since you can easily flip them from straight to angled or vice-versa. The patented easy-to-use design has a two-piece plug features a slim and compact design for saving pedalboard real estate that can be changed from straight to angled simply by turning one part by 90 degrees. Using professional-grade, high-quality cable and connectors with gold-plated tips, the RockBoard® PatchWorks give you everything you desire for your hi-fi pedalboard. Build your own patch cables, in exactly the length you need them, cutting down on excess cable path and curbing signal loss.plugs for PatchWorks soldeless patch cable system6 pcs.unique 2-directional 2-piece connector design (patent pending)can be assembled as either straight or angled plugsplug’n play design - no cable stripping requiredplug dimensions straight (L x W x H) 20 x 12 x 10 mm / 13/16" x 1/2" x 3/8"plug dimensions angled (L x W x H) 15 x 13 x 10 mm / 9/16" x 1/2" x 3/8"gold plated tipsgold finishincl. TX8 wrench

The RockBoard ISO Power Block 6 IEC is a multi-power supply for effects pedals with 6 isolated transformers and highly filtered power slots and a single 5V USB output. The multi-power supply was designed for powering up to 6 effects pedals simultaneously without any noise. The advanced filtering technology used in the DC power slots prevents high-frequency noise. Built with individual slot short circuit protection, connected effects pedals are protected in case of a power surge. With a designated LED for each power slot indicating the slot is working correctly, you can quickly identify any problems without losing power to the remaining pedals.multi-power supply for effects pedals6 x transformer isolated and highly filtered and stabilized power slots1 x USB outputdesigned for powering up to 6 effects pedals simultaneously without any noiseadvanced filter technology prevents high-frequency noise2 x switchable power slots (9V DC, 500 mA / 12V DC, 375 mA / 15V DC, 300 mA / 18V DC, 250 mA), 2.1 x 5.5 mm barrel plug, polarity (-) center2 x power slots 9V DC, 500 mA, 2.1 x 5.5 mm barrel plug, polarity (-) center2 x power slots 9V DC, 250 mA, 2.1 x 5.5 mm barrel plug, polarity (-) center1 x USB-A output 5V, 2,000 mA short circuit protection for all power slots, designated red LEDs for each slot indicate short circuit or wrong polarityinternational input voltage operation with supply voltages from 100 to 230V AC / 47 - 63 Hzcompact and sturdy aluminum housingincluding 6 x RockBoard Flat Power Cable 60 cm / 23 5/8" (for connecting effects pedals)including 1 x AC power cable, input voltage 100 - 240V AC and 47 - 63 Hzdimensions (L x W x H): 130 x 88 x 35 mm (5 1/8" x 3 15/32" x 1 3/8")weight: 386 g / 0.85 lbs

The new RockBoard® The Tray is a universal power supply mounting solution for almost any multi power supply unit you can imagine. Its one-size-fits-all design can be mounted underneath any new RockBoard® pedalboard (except Duo 2.0, 2.1, 2.2, 2.3 & TRES 3.0). Due to the construction of the RockBoard's vertical support braces no holes have to be drilled into your pedalboard and it can easily be fixed with only one screw. Using the holes in the Tray's surface, you can either mount power supply units to it using screws or cable ties. Also because of its flat surface hook and loop tape or other adhesive tape can be used to fix your power supply to it.universal power supply mounting solutionfits all new RockBoard® pedalboards except DUO 2.0, 2.1, 2.2, 2.3 & TRES 3.0no drill holes necessarymanufactured from steelincl. 2 x RBO B THE TRAY RIVETdimensions (L x W) 241 x 122 mm / 9 1/2 x 4 13/16weight 210 g / 0.46 lb.ROCKBOARD®, PEDALSAFE®, and QUICKMOUNT® are trademarks of Warwick GmbH & Co. Music Equipment KG and may be registered in one or more product classes with the US Patent and Trademark Office. Some of the trademarks mentioned may also be protected in certain regions for one or more categories of goods. This list does not represent a complete overview of all Warwick trademarks and does not include common law trademarks or service marks. All other names and trademarks mentioned here are trade names, trademarks, or service marks of their respective owners. 

The RockBoard Power Ace IEC Connector Cable provides you with the perfect extension cord from your RockBoard MOD to your multi power supply. Connect your IEC mains adapter cable to the front IEC port on your MOD. The Power Ace IEC Connector Cable then connects the back of the MOD with your multi power supply’s IEC socket without having a unnecessary long cable cable underneath your pedalboard. This way you won’t ever have to fiddle around underneath your board when setting your rig up on stage!IEC male to female connector cableconnects RockBoard MOD patchbays with multi-power supplies.length 35 cm / 13.78"

The RockBoard® PatchWorks Solderless Patch Cable System features the first genuine 2-directional 2-piece solderless plug design on the market designed and developed in Germany. They will always offer the plug orientation you need, since you can easily flip them from straight to angled or vice-versa. The patented easy-to-use design has a two-piece plug features a slim and compact design for saving pedalboard real estate that can be changed from straight to angled simply by turning one part by 90 degrees. Using professional-grade, high-quality cable and connectors with gold-plated tips, the RockBoard® PatchWorks give you everything you desire for your hi-fi pedalboard. Build your own patch cables, in exactly the length you need them, cutting down on excess cable path and curbing signal loss.high quality audio cable for PatchWorks solderless patch cable system600 cm / 236 7/32" lengthlow capacitance for maximum signal transparencyflexible oxygen free copper conductor 7 / 0.16 mmstiff PE insulationbraided tinned copper shielding 6 x 16 / 0.12 mmadditional black outer PVC jacketcapacitance cond./shield less than 8 pF/decimeterconductor resistance of 4 mOhm/decimeteroperating temperature -15°C to +70°C / 5° F to 158° Fdiameter 4 mm / 3/16"

A buffer is an important tool to combat tone loss with long cable runs or in signal chains running lots of true bypass pedals. With its high 1 Mohm input impedance and low 100 ohm output impedance, the EarthQuaker Devices Buffer/Preamp will restore your tonal integrity and give you back the clear and dynamic signal you deserve and your amp craves. Want more? Not only will it restore high end loss, this device has a little trick up its sleeve that will also give your low end a subtle, yet powerful, little kick for some added dimension. While it is commonplace to add a buffer at the beginning of the signal chain, we find this to best at the end for optimum results. That said, it’ll work great anywhere you decide to place it. For best results, make sure the EarthQuaker Devices Buffer/Preamp is placed AFTER any fuzz pedals that typically like to see the guitar at their input.signal buffer / preampprevents sound loss with long cable runs or in signal chains with many true bypass pedalsinput impedance 1 MOhmoutput impedance 100 Ohmstatus LEDmetal housing6.3 mm mono jack input / outputpower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 15 mAdimensions (L x W x H) 94 x 41 x 35 mm / 3.6875" x 1.625" x 1.375"weight 120 g / 0.265 lbshand made in USA

The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a "drive" or "gain" control, adding more grit, distortion, and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB. The JHS Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds. In addition to the Hi / Lo gain switch, there is a -20 dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +/- 17 dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2. The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.preamp / EQ / DI box for all instruments and microphonessound and character of a vintage Neve studio console2 serial gain stagessuitable for electric guitar, acoustic guitar, bass, keyboards vocals or other instrumentssafely pass 48V phantom power to your condenser micstrue bypasscontrols for Master, Pre-Vol, Step, Hi Pass, Treble, Middle, Bass, Treble Shift, Mid Shift, Bass ShiftHi-Pass toggle switch activates the hi-pass sectionHi/Lo toggle switch selects between clean mode (lower gain) or distorted mode (higher gain)INST/XLR switch selects input sourcepad switch (-20 dB) for the XLR inputbypass footswitchstatus LEDmetal housingcombo XLR/TRS (6.3 mm / 1/4") input jackXLR output6.3 mm mono output jackpower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 193 mAdimensions (L x W x H) 145 x 95 x 47 mmweight 480 g

Each RockBoard T-Shirt is more than just a piece of clothing – it makes statements and express your personality. Don't just wear a T-shirt; wear a piece of art that accentuates your individual style. Quality is our top priority. Our T-shirts are made from 100% organic cotton and boast a weight of 155gm/m2 – the perfect balance between easy wearability and robustness. Every detail has been carefully crafted to ensure you'll enjoy your RockBoard T-Shirt for a long time. RockBoard T-Shirts bear the Organic CU819434 certification and meet the Oeko Tex Standard 100. They are not only vegan but also Peta Approved – for a green conscience when wearing your favorite garments. We believe that fashion and environmental protection can go hand in hand.RockBoard Cartoon T-Shirthigh-quality T-shirt with "Cartoon" motif and inside printmedium fitshort sleeveunisexsingle jersey, 100% cottonstitch density 155 gm/m²size XLgrey, washed out look

Based on our legendary Original series J-Bass pickups with dual-inline, split coils, these pickups cancel hum while providing that full and warm vintage tone you've been craving, enhancing the natural voice of your bass. Original Barts bring out your voice, low and clear. In the early '70s, Bill Bartolini leveraged his deep knowledge of acoustics to create pickups that produce the most natural, musical voice from the instrument. He added shielding to block radio signals and noise. He developed a method of sealing, isolating, and stabilizing the coils so they could be encapsulated in epoxy to eliminate "microphonics" - the nasty noise you get when you touch typical pickups. Candybar shapes were made for refined Jazz bass builders who wanted to avoid the routing hassles and busy look of standard J-Bass pickups.Original G6 Candybar pickup for electric bass6-string versiondeep voiced and hum-cancellingclassic 90s design with input from Steve Baileyneck positionsplit-coil, dual inline hum-killingmagnetic circuit: carbon steel, ceramic blade magnets (ferrite), opposite polarity for neck and bridge pickupsDC resistance 8.8 kOhmresonant frequency 5.8 kHz65 - 100 mm / 2.56" - 3.94" sensing width2-conductor, shielded coaxial cable, core hotpassiveblack coverdimensions (L x W x H) 140.2 x 23.7 x 24.1 mm / 5.52" x 0.93" x 0.95" (height incl. cable)Note: Replacement pickups may differ slightly in shape and dimensions from the original pickups. Adjustments may be necessary. It is recommended that you check the schematic drawings carefully. Deviations in the size and shape of the pickups do not constitute grounds for complaint. Screws and springs are not included. Due to the manufacturing process, the plastic housings of Bartolini pickups may show minor processing or handling marks. The cable ends of some pickups may also be pre-soldered. These characteristics do not constitute grounds for complaint or reason for return. Note: The return and refund policy does not apply to pickups, if their cables have been cut or soldered, or other damage affecting the condition of the goods is present. 

Bakithi Kumalo has been a proud endorsee of the Kala U-BASS® for over a decade. Longtime collaborator and bassist for Paul Simon, Bakithi’s world-renowned work for 1985’s Graceland in South Africa launched his lifelong career as bassist, studio musician, and composer. As a new milestone, Bakithi and Kala have designed his very own Signature Acoustic-Electric U-BASS® to help share his unique sound and philosophy as a bassist with players of any level. With this Signature U-BASS®, Kala & Bakithi set out to create the perfect U-BASS introduction for new and experienced bass players alike. This fretted bass pairs a Natural Mahogany build with the Kala Round Wound U-BASS® Strings for a clear and confident tone. Personal touches include Bakithi’s signature black pickguard and custom Zulu shield headstock artwork, hand-drawn by Bakithi’s own album cover artist, Gus Liberdade. Bakithi’s Signature U-BASS® includes a Custom Gig Bag and access to free online companion lessons and bass line breakdowns specifically for the U-BASS®, featuring Bakithi and some of his most celebrated bass lines.acoustic-electric U-BassBakithi Kumalo signature model20.8125" (529 mm) scale29.375" (746 mm) overall lengthMahogany topMahogany back and sidesMahogany neck16 nickel silver fretsRosewood fingerboardGraph Tech TUSQ nutcomposite saddleCustom Black Die Cast machine headssatin finishKala Round Wounds stringsactive U-Bass electronicsincl. Custom Bakithi gigbag

The Death By Audio Total Sonic Annihilation 2 (TSA2) works on a simple premise: what if effect pedals were patched back into themselves? What does it sound like for a filter to be multiplied by infinity? Or if your modulator was modulating its own modulations? The TSA2 creates a controllable feedback loop, causing your pedals to cycle back on themselves, feeding the output back into the input as much or as little as you want. Experience true sonic exploration: every unique pedal array will produce a vast world of textures and possibilities. If you've used a feedback loop pedal before, (like the 1st edition of the Total Sonic Annihilation) then you know the vast world of insane and wild sounds you can get. With this new updated version of the original, the active boost maximizes usability for many applications where the original fell short. For example, if the effect in the feedback loop is out of phase with itself, the loop would turn the pedal into a volume or blend pedal and be somewhat disappointing. With the TSA2, just flip the phase switch and all of a sudden those once dormant possibilities are awakened! The boost section also provides loads of gain to awaken even the faintest effect into an unearthly behemoth, and a limiter to tame the most unruly beast into a purring kitten. Experiment with as many different pedals in the feedback loop for unique and incredible results!boost / feedback looper effects pedalrevised V2 version with extended functionscombines an adjustable feedback loop with an active boost sectionfeedback loop routes the output signal of a pedal in the loop completely adjustable back to its inputadjustable limiter controls the output volume (only with activated boost section)Phase switch flips the phase of the loop (only with activated boost section)in bypass, the connected effects are still in the signal chainwhen the boost section is not engaged, the pedal is completely passive and can work without powertrue bypasscontrols for Feedback, Gain, LimitPhase toggle switchBoost On / Off toggle switchbypass footswitchstatus LEDmetal housing6.3 mm mono in / output jacks6.3 mm mono send / return jackspower supply via 9V battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centercurrent draw 5 mAdimensions (L x W x H) 122 x 68 x 62 mm / 4.83" x 2.69" x 2.48"weight ca. 311 g / 0.69 lbshandmade in New York City, USA

Inspired by the 1982 Bladerunner film soundtrack the Meris 500 series Mercury7 Reverb Pedal is the world's first 500 Series Algorithmic DSP Reverb. It accommodates the highest quality signal path available in pro audio and entirely custom algorithms take you to the apex of ambient exploration. Infinite permutations will lead you in new musical directions. Swell and modulate an infinite tail. Bend and warp a cavernous and beautiful space into oblivion. Take your guitars and synths to new ambient worlds and be inspired by real time tactile controls, an extensive modulation matrix, and ambient swell.500 series reverb effects module2 reverb algorithmsseparate control of interaction of high and low frequencies with the reverb algorithms24 bit AD/DA with 32 bit floating point DSPswitchable headroom for guitar/line level inputauto swell envelope function100 % analog bypassanalog wet/dry mixcontrols for Space Decay, Modulate, Mix, Lo Frequency, Pitch Vector and Hi FrequencyAlt (Hold)/algorithm select control button for selecting between reverb algorithms (Ultraplate/Cathedra) and activating alternative knob functionsBypass switchSwell switchstatus LEDsmetal housingfor installation in 500 series rack / lunchbox modulemade in USA

bass speaker cabinethigh end audio performancelightweight constructionextended bass response and punch/attackvented enclosure2x 5" PJB Piranha Ferrite speakerimpedance 8 ohms200 watts2x Neutrik NL4MP Speakon socketsfrequency range 40 Hz to 15 kHzdimensions (L x W x H) 318 x 275 x 197 mm / 12.5" x 11" x 8"weight 7.3 kg / 16 lbs

The RockBoard QuickMount Cable Fix was designed to keep your patch, signal and power cables together. This little cable clip helps to organize all possible cables underneath and on top of your pedalboard to make sure that your setup is clean and tidy.Cable Clips for RockBoard pedalboardsclips firmly and securely into the RockBoard Slot Gridhelps with the organization and routing of cables on the underside and surface of RockBoard pedalboardsset of 5 pcs.ROCKBOARD®, PEDALSAFE®, and QUICKMOUNT® are trademarks of Warwick GmbH & Co. Music Equipment KG and may be registered in one or more product classes with the US Patent and Trademark Office. Some of the trademarks mentioned may also be protected in certain regions for one or more categories of goods. This list does not represent a complete overview of all Warwick trademarks and does not include common law trademarks or service marks. All other names and trademarks mentioned here are trade names, trademarks, or service marks of their respective owners. 

nut for F-Style guitarmanufactured from NuBoneblankflat bottomconsistent qualityincreased harmonic contentivory whitedimensions (L x W x H) 44.45 mm x 3.17 mm x 6.20 mm / 1 3/4" x 1/8" x 1/4"luthier’s pack10 piecesNote: All Graph Tech nuts and saddles are slightly long and wide to ensure extra room to achieve a perfect fit for your guitar. This extra material can easily be removed with fine grit sandpaper.