Effect Pedals Rack Effects

The EarthQuaker Devices Afterneath Eurorack Module brings the Otherworldly sounds from the effects pedal world right into your modular synthesizer with an expanded feature set. The Afterneath module features one main audio input, one main audio output, an audio send and return for the Reflect feedback path, and nine controls. Four of the parameters are controllable via CV, and each has been equipped with a dedicated attenuverter to process the incoming CV. The Afterneath module has a completely analog dry signal path and a totally digital wet signal path. The module offers an extremely wide range of different, vast, expansive, and magical ambient reverbs and covers all possible effects from wild and cavernous reverb effects to atmospheric reverberations of short digital delays to scattered, rhythmic delays with bizarre characteristics. The controls for Length (decay length of the reverb), Dampen (tone), Reflect (depth, regeneration) and Mix (wet/dry mix) are well-known parameters for reverb effects and work very intuitively. The Diffuse knob smooths and diffuses the delay repeats. Sharper transients with more attack counterclockwise, more ambient, reverb-like and washy as you turn it clockwise. Drag separates the individual digital delay lines, clockwise positions will gather the delay lines close together for a more reverb-like effect. Turn the Drag counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.reverb Eurorack moduleambient, vast, expansive, and magical reverb sounds9 selectable modes to change the way the Drag control functions (Unquantized, Unquantized with Slew, Unquantized Volt/Octave, Chromatic Scale, Minor Scale, Major Scale (Lydian), Pentatonic Scale, Octaves & Fifths, Octaves)controls for Input, Dampen, Reflect, Mix, Drag, Mode, Diffuse, Length, 4x CV Attenuverter (Drag, Mode, Diffuse, Length)status LEDSkiff friendly - protrudes less than 1.25" (31.75 mm) behind the panel with the power header installedaudio input capable of handling input signals ranging from instrument-level to modular-level, depending on the setting of the input knob4x 3.5 mm mono jack CV Input (Drag, Mode, Diffuse, Length)3.5 mm mono in / output jacks3.5 mm mono jack Reflect Send and Reflect Returnpower supply via standard 10-pin Eurorack power connector with a marking to notate the negative pinscurrent draw 95 mA from the +12V rail, 0 mA from both the -12V and +5V railswidth 16 HP / max. depth 31.75 mm (1.25")

Terry Burton, founder of Meris wanted a way to interface pedals in the pro audio world. A 500 series unit was the highest quality way to do it. From the legendary Cinemag input and output transformers to the high performance hybrid-discrete opamps, the Meris engineers carefully made every design decision with the highest sonic performance in mind. The 440 features all analogue circuitry with Cinemag™ transformers and an ingenious effects loop which allows the use of guitar pedals to effect anything you put a mic in front of, be it vocals, acoustic instruments or guitar cabs. The 440 was simply designed as the ultimate mic preamp for recording guitar. Install a 440 mic pre into any 500 series lunchbox compatible chassis and connect your post effects pedals to the loop. Wield the legendary tone and integrate post effects pedals into your signal chain with ease. Your guitar & amp will love it.500 series preamp modulemic preamp for recording guitarup to 60 dB of gain at input section-27 dB to +12 dB output trim post effects loopselectable high-pass filter (80 Hz/200 Hz) selectable high-shelf filter (7 kHz/4 kHz)20 Hz to 2kHz flat frequency response (all filters disengaged)100 % analog signal pathcontrols for Gain and Output-20 dB pad toggle switch for high input signalsPhase toggle switch for inverting signal phase+48V toggle switch for enabling phantom power high-shelf toggle switch for selecting the high-shelf filter frequencyhigh-pass toggle switch for selecting the high-pass filter frequencystatus LED for +48V phantom power operationmetal housing2 x front-mounted 6.3 mm mono (Send/Return) jacksReturn jack usable as DI input (post filters, pad and phase inversion)for installation in 500 series rack / lunchbox modulemade in USA

Inspired by the 1982 Bladerunner film soundtrack the Meris 500 series Mercury7 Reverb Pedal is the world's first 500 Series Algorithmic DSP Reverb. It accommodates the highest quality signal path available in pro audio and entirely custom algorithms take you to the apex of ambient exploration. Infinite permutations will lead you in new musical directions. Swell and modulate an infinite tail. Bend and warp a cavernous and beautiful space into oblivion. Take your guitars and synths to new ambient worlds and be inspired by real time tactile controls, an extensive modulation matrix, and ambient swell.500 series reverb effects module2 reverb algorithmsseparate control of interaction of high and low frequencies with the reverb algorithms24 bit AD/DA with 32 bit floating point DSPswitchable headroom for guitar/line level inputauto swell envelope function100 % analog bypassanalog wet/dry mixcontrols for Space Decay, Modulate, Mix, Lo Frequency, Pitch Vector and Hi FrequencyAlt (Hold)/algorithm select control button for selecting between reverb algorithms (Ultraplate/Cathedra) and activating alternative knob functionsBypass switchSwell switchstatus LEDsmetal housingfor installation in 500 series rack / lunchbox modulemade in USA