Preamp & DI

The ZEQD-Pre is an all-analog tube preamplifier that brings together EarthQuaker Devices' innovative pedal design and Dr. Z Amplification’s decades of tube amp expertise. With a passive Three-Band EQ, professional headphone output, balanced XLR output, and onboard analog cabinet simulation, the ZEQD-Pre delivers authentic tube warmth and dynamic response in a complete analog amplifier system that fits right on your pedalboard. Designed to live at the end of your signal chain, the ZEQD-Pre adds classic tube character to everything upstream. Its passive Three-Band EQ provides precise tonal control—fine-tune your amp's voice, push its preamp into rich harmonic overdrive, or breathe dimension and life into a modeling setup. This pedal is a simple, modern tool devised to give you all the organic sonic character and dynamic response of a tube amp in a compact and convenient form factor. There are no menus to dive through. No IR loading. No firmware updates. No 0s, 1s, or any other pesky digital artifacts to get in the way of you and your tone. The ZEQD-Pre is the no-fuss analog solution to all your digital woes. The ZEQD-Pre features a built-in analog cabinet simulation for realistic amp feel during quiet practice sessions to give you the full EF86 tube character without disturbing your housemates. This feature is handily disengaged via the Cab Bypass switch enabling you to send a pure signal to your preferred IR loader or modeling software and making it perfect for direct recording, backline-free gigs, or hybrid rigs with multiple signal paths. Hit the Boost footswitch and the Three-Band EQ drops out completely, delivering a full-range boost with its own dedicated level control. Two distinct tones at your feet: sculpted EQ tone or wide-open boosted voice. Simple, immediate, and musical. The ZEQD-Pre uses the EF86 pentode—the same tube that gives many Dr. Z amplifiers their pristine hi-fi tone and makes them such responsive pedal platforms. What does that mean for you? It means dynamic and nuanced touch sensitivity, hi-fi full frequency clarity, and an EQ that is both predictable and highly responsive. Though designed with guitarists in mind, the ZEQD-Pre’s broad range of EQ voices and tube warmth can enrich the sonic color and harmonic content of just about anything you can think of plugging into it, including, but not limited to, bass, synths, keys, drums, vocals, and microphones. Each ZEQD-Pre is built by one sophisticated droid and many kind-hearted flesh and blood artisans in the tropical metropolis of Akron, Ohio USA. analog Tube Preamp/Boosterequipped with 3-band EQ, headphone output, balanced XLR output, and analog speaker/cabinet simulationEF86 tubedelivers dynamics and tube-like sound when placed at the end of the signal chaintwo sound options: Boost or 3-band EQ with separate level controlcan be used with electric guitar, bass, synth, keyboards, drums, or vocalson / off via Activate footswitchthe Boost footswitch disables the EQ and provides a full-range boost without altering the frequency response. It is only active when the Activate footswitch is engagedBass tone control 20 Hz to 400 HzMid tone control 400 Hz to 2 kHzTreble tone control 2 kHz to 20 kHzOutput level control when tone controls are activeOutput boost control when boost is active and tone controls are bypassedGround lift switch (side) to disconnect the XLR output from the mains groundCab bypass (side) enables/disables the analog cabinet simulation on the XLR outputheadphone output (side) 6.3mm stereo jack / 1/4" TRSDirect out (side) balanced XLR outputmechanical true bypass footswitchheadphone output impedance 39 ohmsStatus LEDs6.3mm mono jack input/outputPower supply via optional 9VDC power adapter, 2.1 x 5.5 mm barrel connector, center negative polaritycurrent draw 500 mAdimensions (L x W x H) 5.88'' x 3.94'' x 2.75'' / 149 x 100 x 70 mmweight 569 gmade in the USA

In early 1984 BOSS released two strange new devices under the name "The Pocket Series". One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2 used it on the recording of "Unforgettable Fire" as well as placing it in his following touring rigs. The Clover Preamp/Boost is JHS' faithful interpretation of the FA-1 but with several additional features that they believe make this amazing circuit even better. You won't want to be without your lucky tone-shaper at any gig! The Clover is an end all preamplifier / boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn't allow a bad sound. While the Clover excels at being a preamp / boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. The EQ lets you hit the exact spot that your amp is naturally prone to give in at. Push your small wattage amp into natural rich overdrive and distortion or find sounds in your larger more powerful wattage amp that you have never heard before. Strat and Tele players can use the Clover to create extra punch, depth and dynamics that single coil pickups can't normally achieve, while Les Paul and humbucker players can find clarity, bite and definition galore! From country, rock, metal and even acoustic… The Clover covers every base. Find your unforgettable tone with the luck of the Clover!preamp / boost effects pedalanalog operationup to +24 dB boost3-band EQ with +-15 dB boost/cut per frequency bandsuitable for acoustic or electric guitar and bassworks well for boosting distortion type pedals or pushing tube amps into overdrivegives single coils extra punch, depth and dynamics humbuckers clarity bite and definition3 modes (Full EQ / No Mid / No EQ)true bypasscontrols for Volume, Bass, Middle and Treble3-way rotary switch for selecting between modes (Full EQ / No Mid / No EQ)side mounted DIP switches for Low Cut and Ground Liftbypass footswitchstatus LEDmetal housing6.3 mm mono IN/OUT jacksXLR DI outputpower supply via optional 9V DC adapter, 2.1 mm x 5.5 mm barrel plug, polarity negative (-) centerbattery operation not supportedcurrent draw less than 100 mA (in bypass 45.5 mA)dimensions (L x W x H) 130 x 70 x 60 mm / 5.11" x 2.75" x 2.36"weight 270 g / 0.59 lbsmade in USA

The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a "drive" or "gain" control, adding more grit, distortion, and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB. The JHS Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds. In addition to the Hi / Lo gain switch, there is a -20 dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +/- 17 dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2. The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.preamp / EQ / DI box for all instruments and microphoneslimited 10 Year Anniversary Editionsound and character of a vintage Neve studio console2 serial gain stagessuitable for electric guitar, acoustic guitar, bass, keyboards vocals or other instrumentssafely pass 48V phantom power to your condenser micstrue bypasscontrols for Master, Pre-Vol, Step, Hi Pass, Treble, Middle, Bass, Treble Shift, Mid Shift, Bass ShiftHi-Pass toggle switch activates the hi-pass sectionHi/Lo toggle switch selects between clean mode (lower gain) or distorted mode (higher gain)INST/XLR switch selects input sourcepad switch (-20 dB) for the XLR inputbypass footswitchstatus LEDmetal housingcombo XLR/TRS (6.3 mm / 1/4") input jackXLR output6.3 mm mono output jackpower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 193 mAdimensions (L x W x H) 145 x 95 x 47 mmweight 480 gmade in USA

The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a "drive" or "gain" control, adding more grit, distortion, and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB. The JHS Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds. In addition to the Hi / Lo gain switch, there is a -20 dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +/- 17 dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2. The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.preamp / EQ / DI box for all instruments and microphonessound and character of a vintage Neve studio console2 serial gain stagessuitable for electric guitar, acoustic guitar, bass, keyboards vocals or other instrumentssafely pass 48V phantom power to your condenser micstrue bypasscontrols for Master, Pre-Vol, Step, Hi Pass, Treble, Middle, Bass, Treble Shift, Mid Shift, Bass ShiftHi-Pass toggle switch activates the hi-pass sectionHi/Lo toggle switch selects between clean mode (lower gain) or distorted mode (higher gain)INST/XLR switch selects input sourcepad switch (-20 dB) for the XLR inputbypass footswitchstatus LEDmetal housingcombo XLR/TRS (6.3 mm / 1/4") input jackXLR output6.3 mm mono output jackpower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 193 mAdimensions (L x W x H) 145 x 95 x 47 mmweight 480 g

If your amp has a “send/return” effects loop simply connect the input to your SEND and the output to your RETURN. You can use the LBAB to saturate your preamp section and get some cranked tube tone at bedroom levels!Preamp / Booster effects pedalanalogpassive operationfor use in the effects loop of amplifiersnot an attenuator – do not place between amp and cabinet!for saturating your preamp at lower output volumescontrol for Level6.3 mm mono IN/OUT jacksno power supply requireddimensions (L x W x H) 40 x 110 x 50 mm / 1.57" x 433" x 1.96"weight 120 g / 0.26 lbs made in USA

The Pulp N Peel V4 is the result of over six years of tweaking, learning, and experimenting. The Pulp N Peel V3 has become a staple on thousands of players' boards all over the world and has gained a reputation for being the compression pedal for players who don't like compression. In version 4 JHS have stayed true to the things that made the PnP stand out among its competition while adding several new features that expand the circuit’s ability to reach into new territory, new tones and new ways of thinking about a compression pedal. These features include an improved detection circuit for smoother and more sustained tones, more headroom, a built in parallel overdrive-drive circuit, a tone control, and parallel 1/4" and DI outputs. The idea behind the Pulp N Peel is to have a compressor pedal that you never want to turn off, that doesn't rob your attack, that has a very low noise floor, and that adds a professional polish to every chord, lead line, and note that blooms out of your guitar.compressor / preamp effects pedalbuilt-in parallel overdrive circuithigh-quality “always-on” bufferbuffered bypass soft-touch switching (no mechanical click noticeable)controls for Volume, Comp, EQ and BlendDirt toggle switch for adding overdrive circuitside-mounted Dirt trim pot for adjusting the amount of overdrive bypass footswitchstatus LEDsmetal housing6.3 mm mono IN/OUT jacksXLR OUTpower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw less than 100 mAdimensions (L x W x H) 130 x 70 x 60 mm / 5.11" x 2.75" x 2.36"weight 270 g / 0.59 lbsmade in USA

The PREAMP LIVE from MOOER is the flagship product in their well-received series of digital guitar micro preamps. The digital preamp models in this device are the best of the best from MOOER. Each one of the 50 preamp models is a fastidiously detailed recreation of a real-life tube amplifier. Additionally the innovative TONE CAPTURE feature allows you to capture the sound of your favorite amplifiers. Not only does it house 12 preamp channels completely programmable with pre / post boost and noise gates, it also provides 30 different Cab simulations individually assignable to each channel with the option of uploading your custom IRs. The PREAMP LIVE is a platform for guitarists to conveniently setup and control their amp tones in any live situation. Thanks to a well thought out and intuitive set of controls and connections MOOER's PREAMP LIVE is the ultimate digital preamp modeler for any live situation.preamp modeler effects pedaldigital operation50 different authentic recreations of real tube amp models12 independent channels in 3 banks30 different Cab simulations, individually assignable to each channelsupport of 3rd party IRs (max. sample length 23,2 ms / 1024 points)TONE CAPTURE feature for creating advanced EQ stages based on sampling external amplifiers and other equipmentMIDI controladditional setup options via Preamp LIVE software (Windows/Mac) or mobile app (Android/Apple)3 Band EQintegrated switchable pre/post boost integrated switchable pre/post noise gateintegrated serial effects looptrue bypasscontrols for Volume, Bass, Mid, Treble, Gain and Boost1/ Source footswitch2/Target footswitch3/Capture footswitch4/Active footswitchstatus LEDsmetal housing6.3 mm mono IN/OUT jacks6.3 mm mono SEND/RETURN effects loop jacksground lift switchbalanced XLR output for direct connection to PA systems or audio interfacesDIN-5 pin MIDI IN/OUT3.5 mm stereo Phones outputUSB B socket for connection to PC and MACpower supply via included 12V DC power adapter, 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 600 mAdimensions (W x D x H) 230 x 130 x 46 mm / 9.05" x 5.11" x 1.81"weight 1.18 kg / 2.60 lbscomplimentary Preamp LIVE software (compatible with Windows and Mac) and mobile app (for Android or Apple) available online

DI BoxSymmetrical/unsymmetrical output, Gain switch, Speaker simulation, Ground-Lift functionMetal housingTrue BypassPower: optional 9V DC power supplydimensions (L x W x H) 93.5 x 42 x 52 mm / 3.68" x 1.65" x 2.04"weight 140 g / 0.31 lbs

The new Mooer Audiofile is a professional headphone amplifier, specifically designed for use with guitar and bass pedalboards. It utilizes an analog Class A amplification circuit that secures the purity, warmth and wide dynamic range of the input signal from your instrument and effects pedals. The Audiofile can be used with either headphones (with mono or stereo input) or in front of your amp as a hi-fi signal booster. Its 100% true bypass and pristine sound will make it become a permanent resident on your pedalboard.headphone amplifier for pedalboardsanalog Class A amplification circuitspecifically designed for use with guitar and bass pedalboardscan also be used as high-fidelity boosterintegrated speaker simulationtrue bypasscontrol for MasterPower/Bypass toggle switchCab Sim toggle switchstatus LEDmetal housingbypass footswitch6.3 mm TRS Input jack (for mono or stereo operation)6.3 mm TRS Stereo output jack3.5 mm TRS Mix Mono output jack (for stereo output of mono signals)power supply via optional 9V DC (Mooer PDNW-9V2A-MP) adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 50 mAdimensions (L x W x H) 94 x 42 x 52 mm / 3.70" x 1.65" x 2.04"weight 150 g / 0.33 lbs

The MOOER Micro Preamps are sonically accurate digital recreations of the preamp sections of popular tube amplifiers. Mooer meticulously analyzed various real tube amplifiers to capture their sound, dynamics and response. The result are the Mooer Micro Preamps – each one comes complete with dual channels, integrated speaker cabinet simulation and dual operating modes to suit the needs of all users. This allows the user to connect direct to a soundcard, powered monitor or P.A. without the need for a guitar amp or speaker cab at all.preamp effects pedalauthentic recreation of a real ampbased on a 90’s british high-gain amp3 Band EQtrue bypasscontrols for Volume, Gain, Bass, Mid and TrebleCH/CAB switch for switching channels and activating the speaker simulationstatus LEDmetal housingbypass footswitch6.3 mm mono IN/OUT jackspower supply optional 9V DC (Mooer PDNW-9V2A-MP) adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 220 mAdimensions (L x W x H) 94 x 42 x 52 mm / 3.70" x 1.65" x 2.04"weight 160 g / 0.35 lbs

The MOOER Micro Preamps are sonically accurate digital recreations of the preamp sections of popular tube amplifiers. Mooer meticulously analyzed various real tube amplifiers to capture their sound, dynamics and response. The result are the Mooer Micro Preamps – each one comes complete with dual channels, integrated speaker cabinet simulation and dual operating modes to suit the needs of all users. This allows the user to connect direct to a soundcard, powered monitor or P.A. without the need for a guitar amp or speaker cab at all.preamp effects pedalauthentic recreation of a real ampclassic british 1960 amp sound3 Band EQtrue bypasscontrols for Volume, Gain, Bass, Mid and TrebleCH/CAB switch for switching channels and activating the speaker simulationstatus LEDmetal housingbypass footswitch6.3 mm mono IN/OUT jackspower supply via optional 9V DC (Mooer PDNW-9V2A-MP) adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 220 mAdimensions (L x W x H) 94 x 42 x 52 mm / 3.70" x 1.65" x 2.04"weight 160 g / 0.35 lbs

The MOOER Micro Preamps are sonically accurate digital recreations of the preamp sections of popular tube amplifiers. Mooer meticulously analyzed various real tube amplifiers to capture their sound, dynamics and response. The result are the Mooer Micro Preamps – each one comes complete with dual channels, integrated speaker cabinet simulation and dual operating modes to suit the needs of all users. This allows the user to connect direct to a soundcard, powered monitor or P.A. without the need for a guitar amp or speaker cab at all.preamp effects pedalauthentic recreation of a real amplegendary brown sound and beyond3 Band EQtrue bypasscontrols for Volume, Gain, Bass, Mid and TrebleCH/CAB switch for switching channels and activating the speaker simulationstatus LEDmetal housingbypass footswitch6.3 mm mono IN/OUT jackspower supply via optional 9V DC (Mooer PDNW-9V2A-MP) adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 220 mAdimensions (L x W x H) 94 x 42 x 52 mm / 3.70" x 1.65" x 2.04"weight 160 g / 0.35 lbs

The MOOER Micro Preamps are sonically accurate digital recreations of the preamp sections of popular tube amplifiers. Mooer meticulously analyzed various real tube amplifiers to capture their sound, dynamics and response. The result are the Mooer Micro Preamps – each one comes complete with dual channels, integrated speaker cabinet simulation and dual operating modes to suit the needs of all users. This allows the user to connect direct to a soundcard, powered monitor or P.A. without the need for a guitar amp or speaker cab at all.preamp effects pedalauthentic recreation of a real ampamerican blues and rock'n roll tweed-era sound3 Band EQtrue bypasscontrols for Volume, Gain, Bass, Mid and TrebleCH/CAB switch for switching channels and activating the speaker simulationstatus LEDmetal housingbypass footswitch6.3 mm mono IN/OUT jackspower supply via optional 9V DC (Mooer PDNW-9V2A-MP) adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 220 mAdimensions (L x W x H) 94 x 42 x 52 mm / 3.70" x 1.65" x 2.04"weight 160 g / 0.35 lbs

The MOOER Micro Preamps are sonically accurate digital recreations of the preamp sections of popular tube amplifiers. Mooer meticulously analyzed various real tube amplifiers to capture their sound, dynamics and response. The result are the Mooer Micro Preamps – each one comes complete with dual channels, integrated speaker cabinet simulation and dual operating modes to suit the needs of all users. This allows the user to connect direct to a soundcard, powered monitor or P.A. without the need for a guitar amp or speaker cab at all.preamp effects pedalauthentic recreation of a real ampbased on a US boutique British-style brown sound amp3-band EQtrue bypasscontrols for Volume, Gain, Bass, Middle and TrebleCH / CAB switch for switching channels and activating the speaker simulationstatus LEDmetal housingbypass footswitch6.3 mm mono IN/OUT jackspower supply via optional 9V DC (Mooer PDNW-9V2A-MP) adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 300 mAdimensions (L x W x H) 94 x 42 x 52 mm / 3.70" x 1.65" x 2.04"weight 160 g / 0.35 lbs

The Mooer Preamp Model X2 comes loaded with a host of features that make it easy to customize your digital preamp and cabinet setup. Featuring 3 global cab sim files, support for third-party impulse response files, and 14 preset slots, each with two different channel settings to customize, the Preamp Model X2 offers plenty of space to prepare for long gigs or the freedom to explore and save different tonal combinations. Where the Preamp Model X2 excels compared to previous Mooer preamp pedals is in the user interface and digital editor software. The expanded footswitch layout of the X2 gives users two settings to choose from: one for preset scrolling and one for A/B channel switching. This allows users to quickly cycle through presets at just a tap of the foot. The editor software is free and can be downloaded from Mooer's website and allows users the comfort of a desktop interface when customizing and tweaking presets, loading third-party impulse response files, or updating the Model X2's firmware. Users can also share and download presets and proprietary sample files from Mooer Studio to get the best sounding presets for their Preamp Model X2. Furthermore, Preamp Model X2 allows user to load the sample files captured from actual amplifiers via Mooer's unique MNRS technology. User can visit Mooer Studio to search and download sample files created by other users from all over the world. The GNR file can be loaded into the AMP module; the GIR file can be loaded into the CAB module.dual-channel digital preamp effects pedalbased on Mooer's unique MNRS sampling technology14 editable user preset slotseach preset can store two different channel settingssupports GNR (amp modules) and GIR (cab modules) files via Mooer Studio to expand the tonal palettecabinet simulation can be turned on and off3 pre-installed cabinet simulations of popular models14 pre-installed amplifier models, each with 2 channels (Clean / Drive)supports third-party impulse response files (IRs up to 1024 pts.)footswitches can be used as on / off switches or to select presetsfree Preamp Model X2 editor software to manage and edit the presets and to load GNR amp model sample files and IR/GIR cabinet simulation filescontrols for Gain, Level, Treble, Mid, BassSave buttonCH A footswitchCH B footswitchstatus LEDsmetal housing6.3 mm mono in / output jacksUSB-C portpower supply via included 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 300 mAdimensions (L x W x H) 115 x 75 x 33 mm / 4.53" x 2.95" x 1.30"weight 334 g / 0.74 lbsincl. USB-A to USB-C cable

Terry Burton, founder of Meris wanted a way to interface pedals in the pro audio world. A 500 series unit was the highest quality way to do it. From the legendary Cinemag input and output transformers to the high performance hybrid-discrete opamps, the Meris engineers carefully made every design decision with the highest sonic performance in mind. The 440 features all analogue circuitry with Cinemag™ transformers and an ingenious effects loop which allows the use of guitar pedals to effect anything you put a mic in front of, be it vocals, acoustic instruments or guitar cabs. The 440 was simply designed as the ultimate mic preamp for recording guitar. Install a 440 mic pre into any 500 series lunchbox compatible chassis and connect your post effects pedals to the loop. Wield the legendary tone and integrate post effects pedals into your signal chain with ease. Your guitar & amp will love it.500 series preamp modulemic preamp for recording guitarup to 60 dB of gain at input section-27 dB to +12 dB output trim post effects loopselectable high-pass filter (80 Hz/200 Hz) selectable high-shelf filter (7 kHz/4 kHz)20 Hz to 2kHz flat frequency response (all filters disengaged)100 % analog signal pathcontrols for Gain and Output-20 dB pad toggle switch for high input signalsPhase toggle switch for inverting signal phase+48V toggle switch for enabling phantom power high-shelf toggle switch for selecting the high-shelf filter frequencyhigh-pass toggle switch for selecting the high-pass filter frequencystatus LED for +48V phantom power operationmetal housing2 x front-mounted 6.3 mm mono (Send/Return) jacksReturn jack usable as DI input (post filters, pad and phase inversion)for installation in 500 series rack / lunchbox modulemade in USA

With the Rockboard RPA100 Power Attenuator you can set your amp to your favorite sound - including high-gain and power amp distortion - and then reduce the volume on the speaker to acceptable levels for stage or rehearsal room without affecting the sound of the amp. This is particularly useful if you play a tube amp. The Rockboard RPA 100 Power Attenuator can be used to “tame” amplifiers with a power output of up to 100 watts. With a choice of 4, 8, and 16 ohm connections, your amp will always see the correct speaker impedance, regardless of the type of speakers actually connected to the attenuator. You can even use the amp without speakers and listen to the signal through headphones. In addition, the RPA 100 Power Attenuator gives you the option of routing the output from your power amp via DI OUT or LINE OUT to mixers or audio interface applications, or to practice with the amp’s original sound using the headphone output. For a more realistic sound, cab simulations (The bespoke cab sims, are inspired by a "V30/SM57" combination) can be applied to these additional outputs. For practice, you can mix in backing tracks or drum tracks from external audio devices via the AUX IN connection. power attenuator, dummy loadmax. input power 100 watts3 x separate inputs for 4/8/16 ohms1 x 3.5 mm / 1/8“ AUX input2 x 6.3 mm / 1/4“speaker output (parallel)1 x 6.3 mm / 1/4“ line output1 x 3.5 mm / 1/8“ headphones output1 x XLR-DI output1 x control for speaker level1 x control for line out level1 x switch for cab sim bypass1 x switch for cabinet simulation 2x12” & 4x12” (inspired by a "V30/SM57" combination)1 x 9V DC, 2.1 x 5.5 mm barrel plug, polarity (-) center, input voltage for operation of phones/DI/line outputsPower supply via optional 9V DC power supply unit, 2.1 x 5.5 mm barrel connector, polarity (-) center1 x fan1 x overload LEDdimensions (L x W x H) 180 x 160 x 125 mm / 7.09” x 6.30” x 4.92” (incl. feet & control knobs)weight 1545 g / 3.41 lbs.

The P2 in-line preamp/booster is an easy-to-use and budget-friendly way to achieve professional sound quality from your dynamic or ribbon microphone. With innovative Nutube vacuum tube technology, P2 adds natural tube-style warmth to your signal while delivering up to +40 dB of gain—sending a louder, richer signal to your mixer, mic preamp, or recording interface. By adjusting the gain and volume controls, you can shape your sound exactly how you like it -whether you're going for warm, tube-infused tones or a clean, transparent boost. Whether you're using a mixer, interface or other microphone audio device, P2 is a cost-effective way to enhance your sound. By boosting the signal right at the source, you can lower the input gain on your mic preamp - improving your signal-to-noise ratio and resulting in cleaner, more professional recordings. in-line preamp / booster for dynamic or ribbon microphonesNutube 6P1 vacuum tube technology for authentic analog warmth with the flexibility to dial in tube tones or clean boostprovides up to +40 dB of gain boostrobust signal boost maintains signal integrity over long cable runs, reducing noise and signal lossimproved signal-to-noise ratio for cleaner recordingsUSB rechargeable lithium battery (1900 mA) for up to 10 hours of continuous operation2 to 2.5 hours charging time at 800 mA charging currentno phantom power required - ideal for mixers, audio interfaces or other gear with a microphone inputbuilt-in protection circuit against accidental phantom powerdoes not supply phantom power to connected microphonescontrols for Gain and Volumefemale XLR input and male XLR output (both balanced)dimensions (L x W x H) 45 x 114 x 41 mm / 1.77" x 4.48" x 1.61"weight 275 g / 9.7 ozincl. USB charging cableNote: A 6-month warranty is provided for the batteries built into the devices. This warranty covers defects due to faulty materials or workmanship that occur during normal use.