Effect Pedals Echo / Delay

The Dream Station is like two Death By Audio pedals in one! It’s an instant mood creator, blending DBA-style reverb and delay to plunge your signal into a vivid fantasy hallucination. Three filter settings let you radically shape the tone and character of the effects, opening up a myriad of soundscapes at your fingertips and exploding your sound into super-wide stereo. From shimmering, lush pads to wild slapback insanity, ping-pong comb filtering, and swirling atmospherics, the Dream Station delivers a full palette of sonic reflection for bending reality and dreams alike. In this compact package, you can create any combination of echo and reverb with the Dream Station’s easy-to-use interface and feel the power of a full-stereo ambience in DBAs smallest reverb ever. With the three filter settings, you can explore different spaces from airy and bright, dark and moody, and full-range digital. Part of Death By Audio’s Destroyer Series, the Dream Station sports the line’s signature look: a compact footprint, glowing vintage-style LED display, and minimal controls that conceal a world of sonic madness. Each Destroyer pedal delivers a distinct, over-the-top effect in a maller, stage-friendly box - together forming a family of beautifully chaotic tone machines in stereo.Reverb / Delay effect pedalcombines reverb and delay to create imaginative soundscapesthree filter settings allow you to radically shape the sound and character of the effects and transform the sound into a super-wide stereo imagebuffered bypasscontrols for Mix, Reverb Time, Echo Time, Echo F-BackFilter switch for Bright, Full, Dark modebypass footswitchstatus LEDmetal housingone 6.3 mm stereo jack input / output each, signal processing: Mono (I/O), Mono to Stereo (I/O), Stereo (I/O)power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel connector, center negative polaritycurrent draw 95 mAdimensions (L x W x H) 5.16'' x 2.76'' x 2.38'' / 131 x 70 x 60 mmweight 295 gmade in USA

Designed for vocals, the Death By Audio Echo Master is a lo-fi, analog tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The effects loop allows additional effects to be placed in the signal chain, making it easy to use any of your favorite effects pedals on your vocal sound without any adapters. The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high-quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice.vocal lo-fi delay effects pedallo-fi effect with tape-style saturationadjustable delay time from 30 to 620 msmatched Bourns transformers on the inputfeedback-minimizing microphone preampeffects loop allows additional effects to be placed in the signal chainhigh-quality Neutrik XLR jackscontrols for F-Back, Mix, Timestatus LEDmetal housingXLR input / output6.3 mm mono Send / Receive jacks for FX looppower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 25 mAdimensions (L x W x H) 154 x 87 x 69 mm / 6.09" x 3.45" x 2.75"weight ca. 453 g / 1.0 lbshandmade in New York City, USAoptional backplate with mic stand mount sold separately (DBA MIC BACK PLATE 2)

The Death By Audio Echo Dream 2 is a powerful, ethereal, and nuanced delay pedal with otherworldly controls. Push the feedback for vast worlds of colorful sound. Introduce a bit of warble with the modulator for ghastly chorus tones, or a ton of it to absolutely warp the delayed signal. Once your delay is thoroughly contorted, turn up the fuzz and pulverize it into repeating, shattered pieces. This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. From delicate, beautiful sounds to yawning voids of fuzz and feedback, the Echo Dream 2 is ready to transform anything you throw at it.delay effects pedalcombines innovative delay section with a fuzz circuit and an adjustable modulator section for a wide range of possible soundsfrom beautiful clean delay to distorted, modulated echo-walls with pitch-shifted synthie-style arpeggio (and anything in between)adjustable delay time from 20 to 1000 msDry Blend switch toggles between 50/50 wet/dry mix or 100% wet signalMod Shape switch toggles between smoother modulator waveform or sharp square-shaped wavestrue bypasscontrols for D Time, FBack, Master, Fuzz, Delay, Speed, DepthMod Shape toggle switchDry Blend toggle switch bypass footswitchstatus LEDmetal housing6.3 mm mono in / output jackspower supply via 9V battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centercurrent draw 40 mAdimensions (L x W x H) 149 x 119 x 59 mm / 5.87" x 4.72" x 2.35"weight ca. 595 g / 1.3 lbshandmade in New York City, USA

Similar to the thick and gooey sound of the Echo Dream 2, the Death By Audio Micro Dream is a streamlined and compact version that still retains the beautiful, decayed delay sound that made the Echo Dream famous. Push the delay past its limits by increasing the delay time to a full second, introducing lo-fi chirps and noise as the circuit protests. Additionally, a gain stage on the delay line makes the Micro Dream perfect for pseudo looping or just an incredible slapback. Set the internal trim pot to adjust the feedback point so that it can stay mellow or scream into self-oscillation. The Micro Dream is a simple yet incredible-sounding delay - all the time.delay effects pedalstreamlined, compact version of the popular Echo Dream 2wide range of possible effects from rich, short slapback to screaming self-oscillationhigh delay time settings create crazy lo-fi chirps and noise effectsadjustable delay time from 30 to 1000 mstrue bypasscontrols for FBack, Time, Delayinternal trim pot for feedback pointbypass footswitchstatus LEDmetal housing6.3 mm mono in / output jackspower supply via 9V battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centercurrent draw 28 mAdimensions (L x W x H) 125 x 66 x 59 mm / 4.95" x 2.61" x 2.34"weight ca. 311 g / 0.68 lbshandmade in New York City, USA

The Meris LVX is a modular delay system with pro audio heritage, advanced processing, always available true stereo 60 second looper and high performance signal path. The pedal features configurable delay structures, types, and processing elements for the ultimate customization in delay processing! LVX breaks the paradigm of pre-set delay types in favor of creativity, freedom and flexibility. A completely new user interface and user experience has been designed from the ground up to make LVX immediately intuitive to navigate. The architecture of LVX allows ultimate creative freedom to design a custom delay. The pedal features discrete processing elements and control signal modifiers that can be connected as desired for nearly infinite flexibility in crafting custom sounds.delay effects pedalmodular delay system architecture2540 ms of highly configurable dual delayconfigurable delay structures, types, and processing elements for the ultimate customization in delay processingintuitive color screen-based user interfacealways available true stereo 60 second looper99 preset locations in 33 banksfavorite preset bank for instant access to 3 favorite presetsbuilt-in instant access tuner with configurable reference and output modedeep modifier section allows routing of control signals to processing parameterstrue stereo processing elements with completely new designs and known elements from the Meris family (Polymoon, Hedra, Enzo, and Ottobit Jr.)selectable note divisions for each side of the stereo dual delaydigitally controlled analog mix busswitchable input / output headroom level for instrument or synthesizer / line levelsassignable expression pedal control for multiple parameters simultaneouslyMIDI preset send and receiveMIDI beat clock synchronizationpremium analog signal path and analog devices JFET input sectiondimmable screen and logo light24-bit A/D and D/A conversion32-bit floating point DSP48,000 Hz sample ratefrequency response from 20 Hz - 20 kHzselectable true bypass (relay) or analog buffered bypasscontrols for Time, Feedback, Mod, Mix, Control 1, Control 2, Control 3 (Save)4x LED buttons (preset bypass and tap function for desktop user)4x footswitches (bypass, looper control, tap)metal housing2x 6.3 mm mono in / output jacks (true stereo)6.3 mm expression pedal inputMIDI IN and MIDI THRU connections (5-pin DIN)USB-C port (for firmware updates only)power supply via optional 9V DC adapter, 2.1 mm x 5.5 mm barrel plug, polarity (-) centercurrent draw 300 mAbattery operation not supporteddimensions (L x W x H) 184 x 114 x 51 mm / 7.25" x 4.5" x 2"weight 680 g / 1.5 lbsmade in the USA

Hey buddy! Welcome to your new Avalanche Run™Stereo Reverb and Delay with Tap Tempo! The Avalanche Run was developed with one goal in mind: to take the floating ambient tones of our Dispatch Master to the next level while still keeping it user friendly and refined. The Avalanche Run is a dreamy sonic discovery device with up to 2 seconds of delay time and a lush stereo reverb. It features complete control over delay time, repeats, mixand voice (with the tone control), as well as control over the reverb length and mix. It can run in one of 3 different modes: Normal, Reverse and Swell. In “Normal”mode, the Avalanche Run functions as a straightforward delay and reverb. In “Reverse”mode, the delay line is in reverse and the reverb remains in normal mode. In “Swell”mode, the Avalanche Run reacts to your picking dynamics and adds a volume swell to the entire signal path much like manually raising and lowering the volume of your guitar. Equipped with True or Buffered with trails Bypass, the Avalanche Run is hand made in Ohio, USA. The Avalanche Run V2 uses silent relay-based soft touch switching. Audio will not pass without power.stereo Reverb / Delay/Reverb effects pedal up to 2 seconds delay timeselectable true / trails bypassfootswitch works as momentary or latching switchtap tempo functionalitydigital operationvast variety of tape and analog voiced delay soundscontrols for Time, Repeats, Tone, Mix (Delay) and Mix (Reverb)6-way rotary EXP switch for selecting the expression controlled parameter6-way rotary Ratio switch for selecting the tap tempo divisiontoggle switch for selecting Delay/Reverb mode (Reverse / Normal / Swell)Activate footswitchsilent relay-based soft touch switchingTap footswitchstatus LEDsmetal housing2 x 6.3 mm mono (L / R) in- / outputs 6.3 mm TRS for expression inputpower supply via included 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerBattery operation not supportedDimensions (D x W x H) 140 mm x 120 mm x 57 mmCurrent draw 425 mAHand made in USA

The latest pedal from EarthQuaker Device was created in collaboration with Death By Audio. This new pedal is a joint collaboration that brings their sonic soundscape trips to your melted mind. With the switch to the left Time Shadow's controls are completely the brainchild of EarthQuaker Devices resident genius Jamie Stillman. Flip the switch to the right, and you enter the head of the madman Oliver Ackermann from Death By Audio barely clutching to reality. Place the switch in the middle and enter a whole new realm of pitch warping delays brought to you by a telepathic mind-meld with a 5th dimensional dream being. All three sounds are wildly different from each other and yet share a perfectly designed harmony to be completely complementary and suitable for every style and genre of music. The EarthQuaker Devices side transforms whatever you play into the sound of a jazz space bazooka! It's a pitch morphed fuzz delay filter with so much attitude that you are actually intimidated. It takes the input signal, blows it out with power of digital distortion, blends it with a polyphonic sub octave, feeds it into a delay, then spits it out into a highly resonant envelope controlled lowpass filter. The Death By Audio side is a multi-delay filter remorphinator that goes from icy shimmers to cosmic space caves of bouncing repeats. The middle position is an energy beam that brings your earthly transmissions repetitively closer to the heavens while simultaneously diving deep into the hells. In addition to all this madness we also bring you a user assignable expression jack and 6 preset slots to save and recall your favorite settings! With these three unearthly delights, you should have everything you need to break brains and destroy monotony! Each Time Shadows was lovingly built by druids with very soft hands in the tiny hobbit hole of Akron, Ohio.Subharmonic Multi-Delay Resonator effects pedala collaboration between EarthQuaker Devices and Death by Audioeffect pedal with three modes and the ability to store and recall six presets, and a user-assignable expression controltwo global operating modes (Live Mode/Preset Mode), indicated by the colour of the Save/Recall switchsilent relay-based switching with Flexi-Switch technologyEQD Mode: The EarthQuaker Devices Mode is a pitch morphed fuzz delay filter with so much attitude that you are actually intimidatedDBA Mode: The Death by Audio Mode is a multi-delay filter remorphinator that goes from icy shimmers to cosmic space caves of bouncing repeats!¡ Mode: The middle position is an energy beam that brings your earthly transmissions repetitively closer to the heavens while simultaneously diving deep into the hellstrue bypasscontrols for Time, Span, Filter, PresetMode switch, Save/Recall switchBypass footswitchstatus LEDmetal housing6.3 mm mono jack input / output6.3 mm stereo jack input for external controlpower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 75 mAdimensions (L x W x H) 121 x 64 x 57 mm / 4.75" x 2.50" x 2.25"weight 286 g / 0.63 lbshand made in USA

The Dispatch Master V3 is a delay and reverb pedal, whose effects can be used independently or simultaneously. It has 1.5 seconds of delay time and a dynamic reverb that goes from natural and roomy to cavernous and deep. It features controls for Time, Repeats, Reverb and Mix and it's true bypass. The V3 version features the new Flexi-Switch™ Technology, which allows you to simultaneously use momentary and latching-style switching. It's based on the silent relay-based soft touch switching! It works by pressing and holding the footswitch for as long as the effect it's been used, releasing it, and resuming for dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass. The Dispatch Master V3 is hand made in Ohio, USA.Delay and Reverb effects pedalUp to 1.5 seconds delay timeReverb and delay effects useable separately or in conjunctionFlexi-Switch™ footswitch works as momentary or latching switchTrue bypassControls for Time, Repeats, Reverb and MixBypass footswitchSilent relay-based soft touch switchingStatus LEDMetal housingTop-mounted 6.3 mm mono IN/OUT jacksPower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity negative (-) centerBattery operation not supportedCurrent draw 78 mADimensions (D x W x H): 128 x 66 x 57 mmHand made in USA

The Keeley Dark Side is a full thick fuzz going into a modulation section which includes Uni-Vibe, Rotary Speaker and Multi Head Tape Delay among others, which is capable of yielding a ton of classic sounds inspired by David Gilmour. The Dark Side is not just a “Gilmour Tone emulator” though, in line with Robert Keeley’s “Neo Vintage” philosophy, it is rather his take on what he believes could have been improved on those classic tones should the technology had been around at the time. And it certainly shows, with features such as full-on magnetic drum delay emulation, the Dark Side offers a massive range tonal possibilities ready for you to discover.Fuzz, Phaser, Uni-Vibe, Flanger, Rotary, Delay effects pedalTrue BypassControls for Level (for Delay or Modulation), Blend/Tape Head, Depth/Time, Rate/Feedback, Filter, Fuzz and Level (for Fuzz)Toggle switch to select between FLANGE/ROTARY, DELAY or PHASE/U-VIBE effectToggle switch to select between FLAT, FULL or SCOOP Fuzz Modes Order switch for changing the order of Fuzz and Mod section in the signal chainMetal housingModulation Bypass footswitchFuzz Bypass footswitchstatus LEDs6.3 mm mono IN/OUT jacks 6.3 mm expression control input to control RATEPower supply optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerBattery operation not supportedCurrent draw 75 mADimensions (D x W x H) 99 mm x 120 mm x 53 mmWeight 425 g

Hey there, fellow Time Travelers! Are you tired of trying to fit all of your favorite delays onto your already overflowing pedalboard? Did you constantly have trouble choosing just one pedal to serve as the catalyst of your echo-centric musings? Had you wished that a pedal company would give you more bang for your buck by merging multiple classic delay effects into one simple little box? Well hold on to your whammy bar, because your problems are solved now that you’ve found the new Silos™ Multi-Generational Time Reflection Device! That’s right, EarthQuaker Devices have taken a digital delay, an analog delay, and a tape delay and merged them all together as one pedal with six presets, a tap-tempo, and user assignable expression control. Take a moment to compose yourself, we totally understand. Let us give you a little backstory; it all started when EQD founder Jamie Stillman was admiring his three favorite delay pedals from his personal collection and began ruminating on their vast differences. This sparked an ambitious foray into uncharted territory in finding a way to assemble them all together as one uncomplicated unit. After months of tinkering, his mission was accomplished and the Silos™ was born. With just four knobs, one three-way switch, one Save/Recall button, and two footswitches, he made the impossible possible and now your guitar playing shall reap the rewards! Each of the three modes offers up to one second of delay time which allows it to be a longer delay than our other delay pedals. From noon and back is 500 milliseconds to zero, which has its own character. From 500 milliseconds to one second of delay time, it’s an entirely different beast. Dial them in for shorter delay times where they really excel and add loads of atmosphere and vibes. Push them further for rhythmic delays that are perfect for strumming and adding extra ambiance for your riffs. And the tap tempo is truly precise and responsive so you can lock in your rate quickly within the first revolutions.delay effect pedaldelay with three modes and the ability to store and recall six presets, and a user-assignable expression controltwo global operating modes (Live Mode/Preset Mode), indicated by the colour of the Save/Recall switchsilent relay-based switching with Flexi-Switch technologyMode D: Digital Delay mode offers nearly infinite repeats that hold their fidelity while gradually rolling off the top end with each regenerationMode A: Analog Delay mode is more mid-focused in the initial attack and gradually degrades while getting darker with each repeatMode T: This mode resembles an old, well-loved tape delay with all its glorious artifacts - dark and moody with just a hint of distortion when you hit it just righttap tempobuffered bypass with tailscontrols for Time, Repeats, Mix and PresetMode switch, Save/Recall switchBypass footswitchTap Tempo footswitchstatus LEDmetal housing6.3 mm mono jack input / output6.3 mm stereo jack input for external controlpower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 75 mAdimensions (L x W x H) 127 x 67 x 59 mm / 5" x 2.63" x 2.13"weight 308 g / 0.68 lbshand made in USA

The JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80 ms to 800 ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.delay effects pedal from the JHS Pedals 3 Seriesintuitive controls offer a wide range of possible soundsadjustable delay time of 80 ms to 800 msranges from slapback to long ambient washesType toggle selects between two voicing modes (digital-voiced / analog-voiced)true bypasscontrols for Mix, Time, RepeatsType toggle switchbypass footswitchstatus LEDmetal housing6.3 mm mono in / output jackspower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 71 mAdimensions (L x W x H) 112 x 60 x 31 mm / 4.42" x 2.38" x 1.22"weight ca. 210 g / 0.46 lbs

The new Glitch Delay from JHS Pedals' 3 Series is no ordinary delay - it's a creative tool for anyone wanting to experiment with time, repetition, and sonic movement. Developed with a clear vision: controlled chaos in the delay signal. Inspired by classics like the Line 6 DL-4 and the atmospheric, shimmering delay textures of Bill Frisell, this pedal combines musical warmth with unpredictable dynamics. At its core is a fixed delay time that remains constant, while random glitch events intervene in the signal in real time. These alter the playback speed of individual repetitions, bending, stretching, and distorting the delays - directly in the feedback path. The result is an organic-sounding delay that is constantly in motion without ever losing its timing. The Glitch control is particularly exciting: Turning the knob all the way back produces a classic, warm delay that blends seamlessly into any setup. The further you turn it up, the more frequently glitch events occur - up to a 50% probability at the maximum setting. Each of these sonic changes is visualized by a flashing LED that pulses in time with the glitches. The Time control covers a wide range from 20 milliseconds to 980 milliseconds. This makes both short slapback delays and expansive ambient textures easily achievable. The Repeats control adds a pleasant modulation as its intensity increases, while an integrated limiter ensures that even at maximum feedback, no uncontrolled bursts occur. New notes are smoothly layered over existing repeats, creating dense, slowly dissolving soundscapes. The Mix switch allows you to quickly adjust the delay level - either subtly in the background at 35% or significantly more prominently at 80%. Despite its creative depth, the Glitch Delay remains remarkably intuitive: there's virtually no setting that doesn't work musically. The JHS 3 Series Glitch Delay is therefore the perfect choice for musicians who love classic delay sounds but also want to explore new, vibrant sonic landscapes.JHS Glitch Delay from the '3S' pedal seriesGlitch function delivers atmospheric, shimmering delay texturesrandom glitch events within a fixed delay timinginspired by the Line 6 DL-4 for Bill Frisell-style delay soundssimple, intuitive operation, musically usable in all settingsGlitch control adjusts the probability of glitch events (0–50%)Time control adjusts the delay time between 20 ms and 980 msRepeats control adds modulation with increasing intensityMix switch adjusts the delay level relative to the original signal (35% (subtle) / 80% (present))On / Off switchStatus LED, flashes in sync with glitch events6.35 mm jack input6.35 mm jack outputpower supply via optional 9V DC power adapter, center negativecurrent consumption 65 mAdimensions (L x W x H) 4.42'' x 2.38'' x 1.22'' / 112.3 x 60.5 x 31 mmweight .87 lbs / 395 g

Wilco guitarist Nels Cline reached out to JHS founder Josh Scott asking if JHS made an oil can delay in 2022. Though JHS didn’t have one in the official lineup, Josh and team developed a one-off oil can delay pedal, which they presented to Nels as a gift. Nels liked it so much that he used it through the recording and touring process for Wilco’s Cruel Country and now their latest record Cousin. Though the JHS Oil Can Delay isn’t a signature artist pedal, we’re still grateful to Nels Cline for inspiring it. JHS are proud to offer you this unique pedal for your own collection.delay effects pedal from the JHS Pedals 3 Seriesreproduces the sound of the legendary Oil Can Delaysadjustable delay time of 100 ms to 330 msMod toggle selects between two modulation intensitiestrue bypasscontrols for Mix, Speed, FeedbackMod +/- toggle switchbypass footswitchstatus LEDmetal housing6.3 mm mono in / output jackspower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 65 mAdimensions (L x W x H) 112 x 60 x 31 mm / 4.42" x 2.38" x 1.22"weight ca. 210 g / 0.46 lbs

Tape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201’s tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear & tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire.delay effects pedal from the JHS Pedals 3 Seriesreproduces the sound of classic tape delaysTape Speed acts as a simulation of the RE-201’s tape motor speeding up and slowing downFlutter toggle introduces a mild modulation reminiscent of vintage units with mechanical weartrue bypasscontrols for Mix, Tape Speed, RepeatsFlutter toggle switchbypass footswitchstatus LEDmetal housing6.3 mm mono in / output jackspower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 65 mAdimensions (L x W x H) 112 x 60 x 31 mm / 4.42" x 2.38" x 1.22"weight ca. 210 g / 0.46 lbs

The JHS Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, JHS worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Delay, Reverse, and Analog) inspired by absolut all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 “Reverse Mode” - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!Delay effect pedalDelay with analog, reverse and digital modesadditional chorus and vibrato modulationtrails bypass switchablecontrols for mix, repeats, EQ, mod rate, time, mod depthsubdivision switch for selecting the delay repeatsmode switch for selecting the delay typemodulation switch for selecting the modulation stylebypass footswitchtap tempo footswitchstatus LEDsmetal housing6.3 mm mono jack input / output6.3 mm stereo jack input for external controlpower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centercurrent draw 85 mAdimensions (L x W x H) 119 x 89 x 38 mm / 4.69" x 3.50" x 1.50"weight approx. 450 g / 0.99 lbsMade in USA

The JHS Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, JHS worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Delay, Reverse, and Analog) inspired by absolut all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 “Reverse Mode” - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!Delay effect pedalDelay with analog, reverse and digital modesadditional chorus and vibrato modulationtrails bypass switchablecontrols for mix, repeats, EQ, mod rate, time, mod depthsubdivision switch for selecting the delay repeatsmode switch for selecting the delay typemodulation switch for selecting the modulation stylebypass footswitchtap tempo footswitchstatus LEDsmetal housing6.3 mm mono jack input / output6.3 mm stereo jack input for external controlpower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centercurrent draw 85 mAdimensions (L x W x H) 119 x 89 x 38 mm / 4.69" x 3.50" x 1.50"weight approx. 450 g / 0.99 lbsMade in USA

The Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple; a single pedal that offers up an echo/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. The right side of the pedal is the boost side - a discreet amplifier based circuit with tons of power and character. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to be a hybrid of tape echo and analog BBD delay.delay / boost effects pedalcollaboration between JHS and Milkman Sounddelay and boost channels usable separately as well as togetherdelay times up to 240 msmax. 4.5 repeatstrue bypassSlap (delay) section controls for Slap, Mix, Repeat, and EQBoost section control for BoostSlap footswitchBoost footswitchstatus LEDsmetal housing6.3 mm mono IN/OUT jackspower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw less than 100 mAdimensions (L x W x H) 70 x 130 x 60 mm / 2.75" x 5.18" x 2.36"weight 280 g / 0.62 lbsmade in USA

The new Caverns Delay Reverb V2 dual effect pedal combines delay and reverb for the perfect end to any pedal board. The reverb and delay on the Caverns can be used individually or combined together. The Reverb side is equipped with a three way toggle switch than gives you the option to choose between Spring mode (Black style amp with F style tremolo), Modulation mode (choral modulation) or Shimmer mode (octave-up voices in reverb trails). The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, designed to emulate analog tape delay lines. Three-way switchable modulation gives you options for adding Wow and Flutter to the repeats. Also, the new Caverns Delay Reverb V2 allows you to choose between True-Bypass or Trails, giving you the freedom to create huge caverns of sounds and let them ring out even after you turn the pedal off. The Keeley buffer is engineered to retain your tone and feed your amplifier a full strength signal.delay / reverb effects pedalcompletely reworked version of the popular Keeley Caverns Delay / Reverbboth effects useable independentlySwitching System Mode for using both effects separetely even with looper switchers3 reverb modes (Shimmer / Spring / Modulated)3 delay time modulation modes (Deep / Light / Off)switchable bypass (true bypass / trails)Reverb section controls for Blend, Warmth, Decay, RateDelay section controls for Time, Blend, Repeat, RateReverb section toggle switch for selecting between Reverb modesDelay section toggle switch for selecting between delay time modulation modesReverb footswitchDelay footswitchinternal Delay Trails switch for selecting True/Trails Bypass for the Delayinternal Reverb Trails switch for selecting True/Trails Bypass for the Reverb4 internal dip switches for activating Switching System Modemetal housingstatus LEDs6.3 mm TRS IN/OUT jackspower supply via optional 9V DC adapter, 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw approx. 75 mAdimensions (L x W x H) 120 x 99 x 53 mmweight 450 gmade in USA

Keeley 30ms Automatic Double Tracker. The stereo effect pedal offers an array of studio style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals. The Keeley Engineering 30ms Automatic Double Tracker pedal can be used in mono with a built in “Abbey Verb” reverb control, or in stereo as the Double Tracker Pro. The 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a LFO oscillator in Dimension Mode. In this mode you have the ability to create up to two different voices for a stereo double tracked field. You control the tuning and delay for results that are stunning mono or through two amplifiers in stereo. Abbey Mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds. Stereo or mono this mode gives you a wide, lush sound without sounding like a conventional chorus pedal. Lastly the team at Keeley created a unique Slapback Mode for rockabilly sounds. The Slapback is now a double tracked echo with the two altered voices. Add the Keeley Abbey Verb to this mode to create really new effects.Double Tracking, short time delay, static chorus, reverb effects pedalMetal housingBuffered bypassStatus LEDControls for Reverb, Tuning, Time and LevelToggle to switch between “SLAPBACK”, “ABBEY MODE” or “DIMENSION” mode2 internal DIP switches to select the output cable operationBypass footswitch6.3 mm mono IN jack6.3 mm stereo TRS OUT jackincluding 6.3 mm jack TRS stereo-to-mono adapter cable for stereo operationPower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerCurrent draw 65 mADimensions (D x W x H) 112 mm x 60 mm x 51 mmWeight 277 gMade in USA

With the new Ottobit X, Meris presents the logical evolution of its legendary Ottobit series. This effects unit combines the characteristic lo-fi sounds, bit-crushing effects, and digital artifacts of the 1980s with modern DSP technology and an enormous creative sonic range. The result is a powerful stereo platform for sound design, experimental sound processing, and innovative performance effects. At the heart of the Ottobit X is a modular degradation engine that selectively distorts audio signals, imbuing them with the charm of old video games, VHS tapes, and digital hardware from past decades. In addition to sophisticated bit-crushing and sample rate reduction, the device offers numerous new sonic tools, including glitch effects, pitch shifting, modulation, filters, preamps, and specially developed VHS reverb and delay algorithms. The six different glitch modes are particularly noteworthy. These include Grain Freeze, Stutter, Tape Stop, and two creative one-button loopers. A true highlight is the "Wikki Wikki" function, which generates real-time vinyl scratching effects, opening up entirely new possibilities for live performances. Variable tape stop effects and rhythmic stutter effects further enhance dynamic and modern sound textures. For sound shaping, three different filter types, five pitch algorithms, five modulation types, and four preamp models are available. This allows the signal to be shaped from subtle vintage colorations to extreme, experimental soundscapes. The combination of these modules enables an extraordinary range of sounds—from nostalgic retro effects to futuristic glitch and ambient creations. Operation is via the modern color display and the user interface familiar from Meris' flagship LVX and MercuryX models. With 99 memory locations, numerous factory and artist presets, and comprehensive MIDI and expression pedal functions, the Ottobit X is suitable for both studio use and demanding live applications. Thanks to stereo inputs and outputs, high-quality 24-bit converters, and a 32-bit floating-point DSP, the device also delivers professional-grade audio quality. The Meris Ottobit X is aimed at guitarists, synthesizer players, producers, and sound designers seeking exceptional sonic textures. It combines the creative freedom of modular sound processing with the intuitive operation of a modern effects pedal, opening up a fascinating world of retro charm, lo-fi aesthetics, and innovative sound design.Stereo Lo-Fi, Advanced Bit Crusher Glitch & Modulation Effect Pedallimited edition in 'Multidimensional Pink'comprehensive modular stereo engine for degradation effects and textures with the vintage sound of the 80s6 Glitch Types - Grain Freeze (granular freezing of audio material), Stutter (rhythmic repetitions), 2 Loopers (1-button function): Push Loop and 'Wikki Wikki' (vinyl scratching), Tape Stop (variable speed tape stop effect) and Stutter Step (sequenced glitch effect)3 Filter Types - Ladder, State Variable, and Otto Tron2 Ambience Types - VHS Reverb and VHS Delay5 Pitch Types - Polychroma, Otto Tune, Micro Tune, Monochroma, Lo-Fi5 Modulation Types - Ring Modulation, Div Tremolo Tape modulation, frequency shifting, Otto Vibe4 preamp types - Volume Pedal, Tube, Vinyl, and Wavefoldintuitive user interface with dimmable color displayHold modifier switch for on-the-fly control99 preset memory locations in 33 banks with 18 artist presetsswitchable headroom for instrument or synthesizer/line levelassignable expression pedal control for multiple parameters simultaneouslyMIDI In and Out via standard MIDI DIN jacks or USB-CMIDI implementation for continuous parameter controlMIDI preset send and receiveMIDI beat clock synchronizationhigh-quality analog signal path and 24-bit AD/DA converter with 32-bit floating-point DSPhigh-quality JFET input section from Analog Devicesdigitally controlled analog mix bus48 kHz Sample RateSNR (Signal-to-Noise Ratio) 115 dB (typical)frequency Response 20 Hz to 20 kHzmaximum Input Level +9 dBu (instrument level setting) and +12.5 dBu (line/synth level setting)selectable Bypass (True/Relay Bypass or Buffered Bypass)Sample Rate Control from 48 Hz to 48 kHz'Bits' Control for Bit Depth from 1 to 24 BitsLevel Control for Output LevelFilter Control for Filter Cutoff Frequency3 Navigation control knobs4 Footswitches for Preset Selection, Bank Up/Down, Tuner, and Bypassstatus LEDsMetal Housing2 x 6.3 mm Mono Jack (L / R) Inputs2 x 6.3 mm Mono Jack (L / R) Outputs6.3 mm TRS input for expression pedalMIDI In & Out jacksUSB-C port for connecting to a computer for firmware updatesLine / synth level LED indicatorpower supply via optional 9V DC power adapter, 2.1 mm x 5.5 mm barrel connector, center negative polaritybattery operation not supportedcurrent draw: 300 mAdimensions (L x W x H): 114.3 mm x 184.2 mm x 50.8 mmweight: 680 gmade in the USA

Andy Timmons' mysterious sounding 'Halo' effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself and he spent decades combining and crafting the sounds you can get from the Keeley Halo effects pedal. Notes from the Halo dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation, and compression. The pedal comes loaded with Andy Timmons' signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy's signature 'Halo' sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analog delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are further enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal.true stereo delay / echo effects pedalAndy Timmons signature pedal2 separate delay sections (A / B)1500 ms max. delay time for each section5 selectable delay rhythms (Quarter Note / Dotted Eighth / Halo / Bucket Brigade (BBD) / Multi-Tap Tape Delay)8 factory presets loaded with new delay and modulation sounds (4 banks with 2 presets)Andy Timmons signature 'Halo' sound saved as a presetSaturate control adds tape compression texture to your toneHigh Pass Filter for adjustable bass cut (0 - 300 Hz)Tone control for the delayed signalsoft stomp switches for tap tempo, infinite hold, preset save/recall, and moreremote switching and programmable expression pedal controlDREAM multi-core DSP for stunning sound qualitytrue bypass or buffered trails (switchable)intuitive Alt control options offer full access to additional effect parametersonboard and remote tap tempoinfinite hold with maximum feedbackcontrols for Time / HPF, Level / Saturate, Rate / Tone, Depth / Rhythm, Feedbackpreset toggle switch2x footswitch (A / B)status LEDsmetal housing2x 6.3 mm mono in / output jacks (true stereo)6.3 mm input (TRS) for expression pedals and external tap tempo footswitches6.3 mm input (TRS) for remote switchingpower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 160 mAdimensions (L x W x H) 120 x 68 x 58 mmweight ca. 350 g

The Halo Core is a streamlined version of Keeley's iconic Halo delay, offering Andy Timmons' incredible tone with a simplified control set. Powered by Keeley's latest DSP technology, the Halo Core delivers pristine sound quality and versatile delay options, including classic Halo, quarter note, and dotted eighth note modes. Andy Timmons’ mysterious sounding “Halo” effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself. Andy spent decades combining and crafting the sounds you can now get from the HALO Core. Notes dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation and compression. The results are stunning. Discover the latest from Keeley Electronics: the HALO Core, a streamlined version of Keeley's top-selling HALO Andy Timmons Dual Echo. The HALO Core has three modes: Andy's iconic ‘HALO’ sound, Quarter Note, and now Dotted Eighth.true stereo delay / echo effects pedalAndy Timmons signature pedal1500 ms max. delay time3 selectable delay rhythms (Halo / Quarter Note / Dotted Eighth)Andy Timmons signature “Halo” sound available via toggle switchSaturate control adds tape compression texture to your toneHigh Pass Filter for adjustable bass cut (10 - 300 Hz)LED indicates the speed of the delay effect optionallysoft stomp switches for ON / OFF und Tap Tempo / Infinite Holdtrue bypass or buffered trails (switchable)intuitive Alt control options offer full access to additional effect parameterstap tempoinfinite hold with maximum feedbackcontrols for Time / HPF, Level / Saturate, Rate / Tone, Depth / Rhythm, Feedbackpreset toggle switch2x footswitchstatus LEDaluminum housing2x 6.3 mm mono in / output jacks (true stereo)power supply via optional 9V - 18V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 130 mAdimensions (L x W x H) 130 x 100 x 73 mm / 5.1" x 3.9" x 2.9"weight ca. 460 g / 1 lbs

Keeley Magnetic Echo – The Mag-Echo pedal simulates tube tape echo sounds by using the delay circuit and a little bit of modulation. Tape echos have long been regarded as a warm and very guitar friendly form of delay. The Mag-Echo achieves similar results by using a touch of Lo-Fi delay, a slightly filtered echo response to keep things warm, and some modulation. Modulation, or “Wow and Flutter” in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads. The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of pitch on the trails of the repeats. With a simple set of controls for the delay – Time, Regen, and Level and with the “Wow and Flutter” controls – Depth and Rate you can create some very vintage or rather unique tones.Modulated tape echo effects pedalMetal housingTrue bypassStatus LEDModulation level status LEDControls for Speed, Depth, Time, Regen and Level Bypass footswitch6.3 mm mono IN/OUT jacks Power supply optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerCurrent draw 45 mADimensions (D x W x H) 112 mm x 68 mm x 51 mmWeight 277 gMade in USA

The Keeley RK2000 Funk Siren Delay is far more than just an effects pedal—it's a tribute to an era of legendary studio technology, reimagined for modern musicians. Inspired by the iconic rack delay of the early 1980s, this pedal combines the characteristic 12-bit sound with innovative features, opening up an extraordinary sonic world that blends vintage charm with futuristic sound design. The underlying sound was made famous by, among others, Trey Anastasio of Phish, whose unmistakable "Funk Siren" sound has inspired guitarists worldwide. The RK2000 captures this sonic signature and expands upon it with modern capabilities that go far beyond the original. At its core is the distinctive modulation, ranging from subtle, shimmering textures to intense, almost ripping "tape reel" effects. The unique Hold function is particularly inviting for experimentation: A single sonic moment can be frozen and transformed into an ever-evolving soundscape – perfect for creative sound design, ambient textures, or expressive live performances. Thanks to modern features such as full MIDI integration, storable presets, and expression pedal support, the RK2000 can be flexibly integrated into any setup and precisely controlled. Advanced options like remote-controlled modulation parameters and pitch-shifting ping-pong delays offer additional creative depth, making the pedal a versatile tool for virtually any genre. Whether used to create distinctive delay sounds, as a source of inspiration for new musical ideas, or as a central element on your pedalboard, the Keeley RK2000 Funk Siren Delay impresses with its unique sound, versatility, and unmistakable character.Delay/Freeze-Hold Effect Pedal12-bit digital delay, inspired by the DM2000 delay of the 80srecreates the legendary 'Funk Siren' sounds of Trey Anastasio (Phish)delivers dramatic modulation from subtle shimmer to brutal "tape reel" effectsmodern controls, full MIDI integration, presets, and expression pedal supportwith advanced features such as remote control of hold/mod and pitch-shifting ping-pong delaysInput control for input signal from clean to higher saturation and compressionBlend control adjusts the delay levelFDBK (Feedback) control adjusts the number of delay repeatsFilter control shapes the echo sound - left / high pass, right / low passDepth control for pitch adjustment of the delayRate control adjusts Modulation speed controlTime control adjusts the delay length (1 ms to 1023 ms)¢/ SUB switch for phase reversal or delay subdivisionsMOD switch activates modulationFootswitch for on/off and tap tempoFootswitch for echo hold/clearPreset switch for selecting one of the 5 presetsStatus LEDstwo 6.3 mm mono jack inputs/outputs for stereo signal processingStereo TRS jack for expression pedal to control any pedal control or for MIDI control (127 presets)6.3 mm stereo jack for remote momentary/latching (pushbutton/switch)power supply via optional 9-18V DC power adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centercurrent consumption 150 mABattery operation is not supporteddimensions (L x W x H) 5.1'' x 3.9'' x 2.7'' / 130 x 100 x 69 mmweight 1.1 lbs / 500 gmade in the U.S.A.