Effect Pedals Booster / Buffer

Thee Treble Overload revives the coveted treble boost circuit from the infamous limited edition pedal, Thee Fuzz War Overload - this time packed with extra features and unleashed as its own weapon. It slices through any mix with razor-sharp precision, adding just the right edge to make your signal sound mean, bright, and alive. To achieve that bite, Thee Treble Overload carves away bass, tightening your tone and bringing definition to whatever sound you feed it. Armed with over 60dB of gain and a LIMIT control, you can push it from a cutting boost to crispy obliteration while still keeping your output balanced with the rest of the band. Thee Treble Overload is dual mono, meaning it can process stereo chains, perfect for blasting your stereo reverbs, choruses, delays, keyboards, or drum machines straight into overdrive. Pair it with a Death By Audio Fuzz War to resurrect that revered Thee Fuzz War Overload sound without needing to hunt one down or drop collector dollars. Part of Death By Audio’s Destroyer Series, Thee Treble Overload sports the line’s signature look: a compact footprint, glowing vintage-style LED display, and minimal controls that conceal a world of sonic madness. Each Destroyer pedal delivers a distinct, over-the-top effect in a smaller, stage-friendly box - together forming a family of beautifully chaotic tone machines in stereo. Treble Booster Effect Pedalthe legendary sound of the Thee Fuzz Warr Overloadcharacterful at any volume, boosts up to 60dB of treble – just the right amount for a punchy soundplaced before overdrives and fuzz pedals, it cuts through the band mix like a knifestereobuffered bypassBoost and Limit controlsbypass footswitchstatus LEDmetal housingone 6.3 mm stereo jack input / output each, signal processing: Mono (I/O), Mono to Stereo (I/O), Stereo (I/O)power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel connector, center negative polaritycurrent draw 23 mAdimensions (L x W x H) 5.16'' x 2.76'' x 2.38'' / 131 x 70 x 60 mmweight 258 gmade in the USA

The EQD Arrows its a discrete (no ICs or OP-amps) tone sculpting booster, it boosts the midrange, tightens up the low end and makes the top end shine. The Arrows can be used for example to brighten up neck pickups, you can also use the Arrows to tighten up the sound of bass heavy fuzz pedals. Despite its single knob it is a very versatile and useful booster which can be used as well as an additional lead channel, increasing and/or improving Level, Mids and Sustain. The Arrow is true bypass with a silent relay-based switch, equipped with top-mounted jacks and a new enclosure and is hand made in Ohio, USA.booster effects pedalall analogtrue bypasscontrol for Levelbypass footswitchsilent relay-based soft touch switchingstatus LEDmetal housing6.3 mm mono IN/OUT jackspower supply via 9V battery or optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerdimensions (D x W x H) 117 mm x 64 mm x 57 mmcurrent draw 2 mAHandmade in Ohio, USA

A buffer is an important tool to combat tone loss with long cable runs or in signal chains running lots of true bypass pedals. With its high 1 Mohm input impedance and low 100 ohm output impedance, the EarthQuaker Devices Buffer/Preamp will restore your tonal integrity and give you back the clear and dynamic signal you deserve and your amp craves. Want more? Not only will it restore high end loss, this device has a little trick up its sleeve that will also give your low end a subtle, yet powerful, little kick for some added dimension. While it is commonplace to add a buffer at the beginning of the signal chain, we find this to best at the end for optimum results. That said, it’ll work great anywhere you decide to place it. For best results, make sure the EarthQuaker Devices Buffer/Preamp is placed AFTER any fuzz pedals that typically like to see the guitar at their input.signal buffer / preampprevents sound loss with long cable runs or in signal chains with many true bypass pedalsinput impedance 1 MOhmoutput impedance 100 Ohmstatus LEDmetal housing6.3 mm mono jack input / outputpower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 15 mAdimensions (L x W x H) 94 x 41 x 35 mm / 3.6875" x 1.625" x 1.375"weight 120 g / 0.265 lbshand made in USA

A buffer is an important tool to combat tone loss with long cable runs or in signal chains running lots of true bypass pedals. The EarthQuaker Devices Buffer/Splitter uses the same great high 1 Mohm input impedance and low 100 ohm output impedance found in our Buffer/Preamp to restore your tonal integrity! This buffer is designed to both maintain high end and give your low end a subtle, yet powerful, little kick for some added dimension! What’s better than a single output buffer? A dual output buffer, that’s what! Use the EarthQuaker Devices Buffer/Splitter to split your signal into two and send them anywhere you like! Two amps! Turn a mono signal into a stereo signal! Send one output to your effects and use the other as a dry-through! Remove your tuner from the signal path… you get the idea!signal buffer / preampprevents sound loss with long cable runs or in signal chains with many true bypass pedalssignal is split internally and routed to two separate outputsinput impedance 1 MOhmoutput impedance 100 Ohmstatus LEDmetal housing6.3 mm mono jack input2x 6.3 mm mono jack outputpower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 15 mAdimensions (L x W x H) 94 x 41 x 35 mm / 3.6875" x 1.625" x 1.375"weight 129 g / 0.285 lbshand made in USA

The Tone Job is a complete tone enhancement tool with EQ and Booster suitable for guitar, bass, synthesizer and more. The Tone Job is equipped with controls for Level, Treble, Mid and Bass, where the last three will cut or boost up to 20db. The level control will boost the signal (post EQ) up to 5 times the input depending on where the dial is set. The EQD Tone Job can be used for example at the end of the effect chain for tone fine tuning. The Tone Job V2 uses silent relay-based soft touch switching. Audio will not pass without power.Equalizer and Tone Enhancer with boostactive 3 band EQ up to +-20 dB of boost/cut per bandup to 5x post EQ level boost of the input signalall analogtrue bypassBass and Treble response dependent on Mid settingcontrols for Level, Treble (2 kHz shelf), Bass (500 Hz shelf) and Mid (1 kHz bell resonant filter)bypass footswitchsilent relay-based soft touch switchingstatus LEDmetal housing6.3 mm mono IN/OUT jackspower supply via 9V battery or optional 9V – 18V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerdimensions (D x W x H) 117 mm x 64 mm x 57 mmcurrent draw 10 mAhand made in USA

The ZEQD-Pre is an all-analog tube preamplifier that brings together EarthQuaker Devices' innovative pedal design and Dr. Z Amplification’s decades of tube amp expertise. With a passive Three-Band EQ, professional headphone output, balanced XLR output, and onboard analog cabinet simulation, the ZEQD-Pre delivers authentic tube warmth and dynamic response in a complete analog amplifier system that fits right on your pedalboard. Designed to live at the end of your signal chain, the ZEQD-Pre adds classic tube character to everything upstream. Its passive Three-Band EQ provides precise tonal control—fine-tune your amp's voice, push its preamp into rich harmonic overdrive, or breathe dimension and life into a modeling setup. This pedal is a simple, modern tool devised to give you all the organic sonic character and dynamic response of a tube amp in a compact and convenient form factor. There are no menus to dive through. No IR loading. No firmware updates. No 0s, 1s, or any other pesky digital artifacts to get in the way of you and your tone. The ZEQD-Pre is the no-fuss analog solution to all your digital woes. The ZEQD-Pre features a built-in analog cabinet simulation for realistic amp feel during quiet practice sessions to give you the full EF86 tube character without disturbing your housemates. This feature is handily disengaged via the Cab Bypass switch enabling you to send a pure signal to your preferred IR loader or modeling software and making it perfect for direct recording, backline-free gigs, or hybrid rigs with multiple signal paths. Hit the Boost footswitch and the Three-Band EQ drops out completely, delivering a full-range boost with its own dedicated level control. Two distinct tones at your feet: sculpted EQ tone or wide-open boosted voice. Simple, immediate, and musical. The ZEQD-Pre uses the EF86 pentode—the same tube that gives many Dr. Z amplifiers their pristine hi-fi tone and makes them such responsive pedal platforms. What does that mean for you? It means dynamic and nuanced touch sensitivity, hi-fi full frequency clarity, and an EQ that is both predictable and highly responsive. Though designed with guitarists in mind, the ZEQD-Pre’s broad range of EQ voices and tube warmth can enrich the sonic color and harmonic content of just about anything you can think of plugging into it, including, but not limited to, bass, synths, keys, drums, vocals, and microphones. Each ZEQD-Pre is built by one sophisticated droid and many kind-hearted flesh and blood artisans in the tropical metropolis of Akron, Ohio USA. analog Tube Preamp/Boosterequipped with 3-band EQ, headphone output, balanced XLR output, and analog speaker/cabinet simulationEF86 tubedelivers dynamics and tube-like sound when placed at the end of the signal chaintwo sound options: Boost or 3-band EQ with separate level controlcan be used with electric guitar, bass, synth, keyboards, drums, or vocalson / off via Activate footswitchthe Boost footswitch disables the EQ and provides a full-range boost without altering the frequency response. It is only active when the Activate footswitch is engagedBass tone control 20 Hz to 400 HzMid tone control 400 Hz to 2 kHzTreble tone control 2 kHz to 20 kHzOutput level control when tone controls are activeOutput boost control when boost is active and tone controls are bypassedGround lift switch (side) to disconnect the XLR output from the mains groundCab bypass (side) enables/disables the analog cabinet simulation on the XLR outputheadphone output (side) 6.3mm stereo jack / 1/4" TRSDirect out (side) balanced XLR outputmechanical true bypass footswitchheadphone output impedance 39 ohmsStatus LEDs6.3mm mono jack input/outputPower supply via optional 9VDC power adapter, 2.1 x 5.5 mm barrel connector, center negative polaritycurrent draw 500 mAdimensions (L x W x H) 5.88'' x 3.94'' x 2.75'' / 149 x 100 x 70 mmweight 569 gmade in the USA

THE KILT 10 - New edition of the KILT limited to 5,000 pieces worldwide. After ten years, the Kilt gets a refreshed voice and reimagined aesthetic. An updated clipping section delivers more headroom, smoother attack, and a richer, more dynamically useful drive range than ever before. In 2015 JHS launched the ultimate dirt pedal with Stu G (legendary guitarist, writer, producer, and founding member of UK band Delirious?). Stu wanted a pedal that could cover any ground he needed for his studio work and extensive touring gigs. WHAT'S NEW FOR 2025: An Updated Look: The finish returns to polished aluminum as a tribute to the original Kilt V1, now paired with classic Expandora-style knobs. It’s wrapped up with a refreshed Kilt icon that cleverly nods to both the Scottish flag and the Roman numeral “X” to represent ten years. Improved Gain Control: The gain knob now offers a far more usable range from 0-25%, unlocking articulate, low-gain textures that weren't previously accessible. No more dead zones, just smooth, musical breakup from whisper-quiet to full saturation. Enhanced High-End Clarity: JHS refined the top end to help the pedal cut through a mix with greater definition, which is especially noticeable in live band settings where every bit of clarity counts. Increased Volume Headroom: More output on tap translates into a more responsive tone across your entire rig, adding dimension and feel whether you're hitting a clean amp or stacking with other drives. Refined Toggle Switches: The gain toggles have been tweaked for more usable gain parameters while keeping the pedals original feel and settings. The Low-Cut toggle is now far more amp-friendly, working well across a wider range of amplifiers (including amp modeler pedals and software). Diode Choice Enhancement: A new clipping circuit adds more touch-sensitive feel and nuance without departing from the pedal's core identity. It has slightly more compression, distortion on tap, and a smoother attack. Distortion/boost effect pedallimited (5000 pcs) and revised reissue of the pedal designed with StuG (Delirious?)new look, improved gain range, extended headroom, more output 4 distortion modescontrols for volume, tone, and gainCut/Flat toggle switchG1 toggle switch for selecting the clipping circuitG2 toggle switch for selecting additional clipping circuitsbypass footswitchstatus LEDAluminum housing6.3 mm mono jack input/output6.3 mm TRS (Red Remote) remote footswitch input for remote control of the G2 toggle switchpower supply via optional 9V DC power supplybattery operation not supportedcurrent consumption 64 mAdimensions (L x W x H) 122 x 66 x 41 mm 2.6'‘ x 4.8’' x 1.6''weight 395 g / .87 lbsmade in the USA

The JHS Kilt V2 still has the fantastic circuit of the version one, but with super low noise, improved slew rate for a smoother structure and a character that just feels better than the original Expandora. The Cut/Flat toggle switch gives the option to cut the low end frequencies or to have a more beefier sound than the original Expandora and the G1 and G2 toggles let you select various forms of distortion, from light transparent drive all the way to a wall of fuzz/distortion and everything found in-between. Also, the V2 has the ability to switch the G2 toggle with the Red Remote footswitch giving you the opportunity to flip into heavy overdrive or fuzz with a footswitch on the fly!distortion / boost effects pedaldesigned together with StuG (Delirious)4 distortion modescontrols for Volume, Tone and GainCut/Flat toggle switchG1 toggle switches for selecting clipping optionsG2 toggle switches for selecting additional clipping optionsbypass footswitchstatus LEDmetal housing6.3 mm mono IN/OUT jacks6.3 mm TRS (Red Remote) remote footswitch input for remote control of the G2 toggle switchpower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw less than 100 mAdimensions (L x W x H) 130 x 70 x 60 mm / 5.11" x 2.75" x 2.36"weight 260 g / 0.57 lbsmade in USA

If your amp has a “send/return” effects loop simply connect the input to your SEND and the output to your RETURN. You can use the LBAB to saturate your preamp section and get some cranked tube tone at bedroom levels!Preamp / Booster effects pedalanalogpassive operationfor use in the effects loop of amplifiersnot an attenuator – do not place between amp and cabinet!for saturating your preamp at lower output volumescontrol for Level6.3 mm mono IN/OUT jacksno power supply requireddimensions (L x W x H) 40 x 110 x 50 mm / 1.57" x 433" x 1.96"weight 120 g / 0.26 lbs made in USA

This may be the greatest weapon you didn’t know you needed. For those of us who are a little “pedal happy” there can be some downfall to our tone. When running a pedal board with more than one or two effects, something called “capacitance” happens. This natural problem happens due to the amount of cable or line that your signal has to travel through, not to mention bad switching systems in certain pedals. The result is a very audible amount of high-end loss, weak signal, flabby bass and uncharacteristic pickup behavior in guitars. Another problem is the assumption that all “true bypass” is good. This isn’t true and actually can be worse than imagined. This is where the “Little Black Buffer” steps in providing the perfect input impedance to your rig and giving you the final result of clear, natural tone that sounds like you're plugged straight into your amp.sound bufferneutralizes cable capacitanceprevents high-end lossmaintains signal integrityprovides optimal input impedance for your rigmaintains your naturals guitar tonestatus LEDmetal housingtop-mounted 6.3 mm mono IN/OUT jackspower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw less than 100 mAdimensions (L x W x H) 40 x 110 x 50 mm / 1.57" x 433" x 1.96"weight 110 g / 0.24 lbs made in USA

The Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple; a single pedal that offers up an echo/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. The right side of the pedal is the boost side - a discreet amplifier based circuit with tons of power and character. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to be a hybrid of tape echo and analog BBD delay.delay / boost effects pedalcollaboration between JHS and Milkman Sounddelay and boost channels usable separately as well as togetherdelay times up to 240 msmax. 4.5 repeatstrue bypassSlap (delay) section controls for Slap, Mix, Repeat, and EQBoost section control for BoostSlap footswitchBoost footswitchstatus LEDsmetal housing6.3 mm mono IN/OUT jackspower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw less than 100 mAdimensions (L x W x H) 70 x 130 x 60 mm / 2.75" x 5.18" x 2.36"weight 280 g / 0.62 lbsmade in USA

In the footsteps of JHS’ long-ago discontinued Mr Magic pedal, they now bring you the "final act" in boost magic...The Prestige! From buffer, to boost, to tone enhancer, the Prestige will prove to be a vital and necessary piece of gear for anyone's rig. With the boost knob set to zero, you have in your hands an amazing buffer/enhancer for long cable runs as well as a tool that will simply add some life back into your rig. When the Boost knob is in the first 25% you will get different flavors of the buffer/enhancer as well as slight volume increases. When the Boost knob is set between 25% and 50% you have a powerful, dynamic solo boost that adds definition, clarity and a little magic to your solos and lead passages. When set at 50% or more, the Prestige gives you the ability to break up your tube amp in a smooth and natural way resulting in real tube overdrive from the preamp section of your tube amp. The last 25% of the volume range can completely destroy your amp in the best way possible, resulting in rich soaring sustain, breakup, and on some amps even a smooth warm fuzzy growl.boost effects pedalup to 27 dB of boostadds definition and claritytrue bypasscontrol for Boostbypass footswitchstatus LEDsmetal housing6.3 mm mono IN/OUT jackspower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw less than 100 mAdimensions (L x W x H) 47 x 95 x 35 mm / 1.85" x 3.74" x 1.37"weight 150 g / 0.33 lbsmade in USA

The D&M Drive is the perfect storm of Drive and Boost. The D&M offers a gorgeous sounding high voltage Boost side designed to impart the perfect tone on any amp that needs to be pushed. No longer will you wonder what the perfect clean boost should be. As you roll things up, the drive morphs your tone into singing gold. A sexy and smoothly saturated midrange voice appears that breathes confidence. The Drive side offers everything you’d want in a powerful gain stage. From flat honest overdrive perfect for any set of chords to searing hot lead work with tons of sustain. The Drive is the perfect counterpoint to the Boost. Not only does each side of the pedal provide rewarding guitar tones, they can be used to stack together for an out-of-world experience. The pro switching system developed for the D&M Drive allows you to select which side of the pedal comes first and in fact you can configure the pedal to work in a pro-switching system like the G2 for independent pedal use!Daniel Steinhardt & Mick Taylor (That Pedal Show) Signature overdrive / boost effects pedalDrive and Boost channels usable separately as well as togetherorder in signal chain switchabletrue bypassDrive section controls for Level Gain and ToneBoost section control for Level Gain and Tonetoggle switch for selecting order of Drive and Boost section in the signal chaindrive footswitchboost footswitchstatus LEDsmetal housing6.3 mm mono IN/OUT jackspower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 55 mAdimensions (L x W x H) 120 x 95 x 50 mmweight 350 gmade in USA

MINI KATANA CLEAN BOOST!  Keeley’s oldest design made smaller and with an additional feature.  The Katana started back in 2002 within the Time Machine Boost.  It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off.  In fact they often ran two or three on stages like John Mayer!  The Mini Katana boost provides over 35dB of boost.  Enough for the most demanding players and sound reinforcement.The new Mini Katana is now a 4 Mode Booster!  With the dual micro switches you have a total of four sounds possible.  Need drive, just flip the micro Hi-Gain Switch inside and you’ve got overdriven tone!  Flip the Hi-Cut Switch (NEW for the Katana Mini!) on the inside and you have a warmer tone to soften any Strat or Tele.  Flip both switches and you have the ultimate sounding boost, thick, creamy, tube-amp sounding, and plenty of volume on tap!Boost pedalMetal housingTrue bypassStatus LEDControl for Volume 2 internal DIP switches to activate/deactivate “HI GAIN” and “TREBLE CUT” optionsBypass footswitch6.3 mm mono IN/OUT jacksPower supply via optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerCurrent draw 0.7 mADimensions (D x W x H) 92 mm x 47 mm x 50 mmWeight 141 gMade in USA

Introducing the NEW Keeley Katana Clean Boost in a new ‘Throwback White’ colorway! The best Katana EVER. The Katana Clean Boost is back and better than ever! Keeley listened to what the players wanted and went back to the roots. The new Katana uses the original JFETs that made the original so special. They used the same component values from the original Katana and updated the Boost mode to offer a more robust, clear sound, giving more clarity to bass notes when engaged. Keeley updated the build with modern construction techniques to make this Katana the most dependable Clean Boost on the market, including an updated aluminum control knob, designed for on-the-fly foot adjustment. WANT A MIRROR IMAGE OF YOUR TONE, ONLY LOUDER? Roll the volume knob forward with your foot and you’ll be good to go! NEED EVEN MORE? The Katana Boost is also a fat, harmonically rich boost, just pull out on the volume knob and push the limits with overdriven tone! You can keep it on all the time to push your amp harder, or as an occasional boost to cut through the mix. The Katana circuit is Robert Keeley’s first guitar effect design for Keeley Electronics. It was originally designed as part of the Time Machine Boost, but then became an independent product under the Keeley name after the release of the original Keeley Compressor.clean boost effects pedal"Throwback White" Editionredesigned version of the original Katana Clean Boostuses the original JFETs and same component values that made the original pedal so specialswitchable Boost mode for extra +30 dB boostvolume knob can be controlled with the footinternal voltage doubling for increased, super-clean headroomtrue bypasscontrol for Volume (push/pull)push/pull function for Boost modebypass footswitchstatus LEDmetal housing6.3 mm mono in / output jackspower supply via 9V battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center (battery is not included in the delivery)current draw less than 10 mAdimensions (L x W x H) 120 mm x 84 mm x 58 mm / 4.7" x 3.3" x 2.3"weight ca. 250 g / 0.55 lbsmade in USA

Boost pedal+20dB boost with ±15dB 2-Band EQMetal housingTrue BypassPower: optional 9V DC power supplydimensions (L x W x H) 93.5 x 42 x 52 mm / 3.68" x 1.65" x 2.04"weight 160 g / 0.35 lbs

It is safe to say that the Strawberry Red Overdrive is one of the bestselling BJF Series effects pedals. For this reason, Bjorn Juhl and One Control decided to expand on this models success with two other models: The Cranberry and Lingonberry. The One Control Cranberry OverDrive is a lower gain version of the Strawberry Red OD. In addition to having optimized control over lower gain sounds, the filtering has been altered to allow a flatter sound with more lows and highs. The Cranberry OD is perfect for clean or light distortion effects and with moderate compression and fast response, this pedal promises a superb lead boost for any genre of music.boost / overdrive effects pedallower gain version of the Strawberry Red Overdriveperfect for clean or slightly overdriven soundsmoderate compression and fast responsedesigned by Bjorn Juhltrue bypasscontrols for Volume, Treble, DriveLow trim potentiometer on the side sets the low-end frequency responsebypass footswitchstatus LEDbrushed aluminum housing6.3 mm mono in / output jackspower supply via 9V battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center (battery is not included in the delivery)current draw 4 mAdimensions (L x W x H) 100 x 47 x 46 mm / 3.93" x 1.85" x 1.81"weight ca. 160 g / 0.35 lbs

The One Control BJF Buffer Split has multiple functions which makes it an extremely versatile utility box to have on your pedalboard. It combines the functions of the 1 Loop Box and AB Box with a switchable buffer. The BJF Buffer Split can be used as A/B switch, true bypass loop switcher, splitter or even as an input selector. The side-mounted switches protect the settings from unwanted changes and the switchable buffer prevents signal loss at long signal paths or large effect setups.A/B switch, true bypass looper and splitter for effects pedalshigh-quality BJF buffer circuit prevents signal loss at long signal paths or large effect setupstrue bypassSPLIT/1LOOP or FS/AB BOX switchBuffer on/off switchmulti-function footswitchstatus LEDmetal housing6.3 mm mono in / output jacks6.3 mm mono send / return jackspower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerpassive operation without power supply possible (status LEDs and buffer without function)battery operation not supportedcurrent draw 3 mAdimensions (L x W x H) 101 x 53 x 49 mm / 3.98" x 2.09" x 1.93"weight 150 g / 0.33 lbs

The One Control Purple Humper is perfect for those seeking a warm vintage mid-range booster with a British-feeling, large output amp tone. At higher settings, the Purple Humper creates a vintage hollow body guitar tone. The frequency range of the Purple Humper is broad enough for any type of music that requires an extra boost and you can use the Purple Humper to change the sound of your clean transistor amp into a British flavored vintage sound. When used with distortion effects, you can create a real, shiny and smooth guitar sound while maintaining the original distortion tone. By adjusting the single Blend knob, you can change the hard transistor amp clean sound into a shiny British sound, change the Stratocaster bridge pickup into a sound like a hollow body neck pickup, or create an 80s metal lead tone, or add heavier distortion with a single coil. The design of the Blend control plays an important role in ensuring the pedals controllability. Blend control panoramizes input and boost signals through the buffer. At the minimum setting, it hardly changes the tone but at the same time creates a BJF signature warm buffer sound. At the maximum setting, it creates a powerful mid-range boost up to eight times (+15 dB) of the input signal.mid-range boost effects pedalwarm vintage mid-range booster with a 'British' feelingcreates a vintage hollow body guitar tone at higher settingsup to + 15 dB boostworks perfectly as lead booster or to control the brightness of your ampdesigned by Bjorn Juhltrue bypasscontrols for Blendbypass footswitchstatus LEDbrushed aluminum housing6.3 mm mono in / output jackspower supply via 9V battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center (battery is not included in the delivery)current draw 3.6 mAdimensions (L x W x H) 100 x 47 x 48 mm / 3.93" x 1.85" x 1.89"weight ca. 160 g / 0.35 lbs

The One Control Raspberry Booster is a unique boost pedal designed to be used like a vintage boost / overdrive. With this pedal, the guitarist has full control of the amount of detail in the gain structure. As you raise the Gain knob, the compression of the boost will increase, at the maximum setting, expect a good amount of distortion while maintaining a detailed clean tone at lower settings. The Master knob can be used for volume cuts as well as an overall volume boost. If a boost pedal increases the output volume and gain by the same amount, the overall volume will increase more than expected, making the ideal amount of distortion difficult to dial in. By adjusting the Gain and Master knobs separately, the Raspberry Booster can achieve the desired amount of gain at the desired overall volume. The Z knob controls the input impedance, from 9.8k to 319k. Adjusting this knob allows to manipulate how the top end of your tone rolls off. If you set it to the minimum, the solid body's single coil becomes soft and warm like a plump semi-acoustic humbucker. As you increase the impedance, the top end changes sharply and the resolution of the whole tone also changes. It also affects the movement of your tone when you operate the guitar's Volume knob while the gain is being boosted. This will enhance the usability of your guitar's controls. The Raspberry Booster can be used in conjunction with various pickups, amplifiers and effects. When you boost a tube amp with the Raspberry Booster, you'll understand the true definition of the word 'overdrive'. It's important to place the Raspberry Booster at the beginning of your pedal chain in order to take advantage of the Z (impedance) control.vintage boost / overdrive effects pedaldesigned to increase gain boost while maintaining tonal detailsZ control sets the input impedance from 9.8k to 319kcan be used in conjunction with various pickups, amplifiers and effectsshould be placed at the beginning of the signal chain in order to take advantage of the Z (impedance) controldesigned by Bjorn Juhltrue bypasscontrols for Master, Z, Gainbypass footswitchstatus LEDaluminum housing6.3 mm mono in / output jackspower supply via 9V battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center (battery is not included in the delivery)current draw 1.5 mAdimensions (L x W x H) 100 x 47 x 48 mm / 3.93" x 1.85" x 1.89"weight ca. 160 g / 0.35 lbs

The Rockboard Natural Sound Buffer is a op-amp based signal buffer that eliminates cable capacitance and loss of top end associated with long cable paths or using several unbuffered effects pedals. Its position in the signal chain shoul be assertained by experimentation depending on the effects pedals used to optimise your sound.op-amp based signal bufferprevents signal loss in effects chainsinput impedance: 2.2 Mohmsoutput impedance: 10 kohmsgives back presence and assertiveness to the overall soundSolid metal housing6.3 mm mono in/output jackspower supply via optional 9V DC Adapter, 2.1 x 5.5 mm barrel, polarity (-) centerbattery operation not supporteddimensions (W x D x H) 74 mm x 42 mm x 33 mmweight 92 g

The Bit Buffer uses an ultra-low distortion, low-noise Burr-Brown op-amp. It can be placed at the beginning of your pedal chain or right before a long cable to a pedalboard or amp, it will always stay on when connected to the power preventing high-frequency loss (tone suck), improving the quality of your signal.sound bufferprevents signal loss in effects chains6.3 mm mono input/output jackinternal status LED visible below the power jackmetal housingpower supply via optional 9-18V DC adapter, 2.1 mm x 5.5 mm barrel plug, polarity (-) centercurrent draw 20 mAdimensions (L x W x H) 38 x 51 x 31 mmweight 150 g

The Tone City All Spark is a clean boost effects pedal with class A JFET design that provides up to +17 dB of pure, clean volume boost. The additional Bright and Fat toggle switches give musicians more flexibility in achieving the ultimate tone, while the pedal doesn't change the characteristics of the used equipment. The Bright switch provides a high-end boost with additional harmonic overtones, the Fat switch boosts the low-end of the signal.clean boost effects pedalup to + 17 dB boostclass A JFET designBright and Fat toggle switches provide additional high- and low-end boostworks equally well with all types of pickups and electronicstrue bypasscontrols for Gainbypass footswitchFat toggle switchBright toggle switchtransparent knob with status LEDmetal housing6.3 mm mono in / output jackspower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 3 mAdimensions (L x W x H) 94 x 45 x 48 mm / 3.70" x 1.77" x 1.89"weight ca. 262 g / 0.58 lbs

The Tone City Bad Horse is based on one of the most famous and most expensive overdrive pedals of all time. It has an extremely wide gain range from exquisite clean boost to creamy, thick overdrive and everything in-between. The used germanium diodes in the drive section retain a clear timbre and create a natural overdrive full of harmonics at higher gain settings. The Bad Horse doesn't change the unique character of the used equipment and the pedal reacts perfectly dynamic to the pick attack and the Volume control of the guitar.boost / overdrive effects pedalbased on one of the most famous and most expensive overdrive pedalsextremely wide gain range from exquisite clean boost to thick and chewy overdrive and everything in-betweengermanium diodes for clear timbrefull of harmonics at higher gain settingstrue bypasscontrols for Volume, Tone, Gainbypass footswitchtransparent knob with status LEDmetal housing6.3 mm mono in / output jackspower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 10 mAdimensions (L x W x H) 94 x 45 x 48 mm / 3.70" x 1.77" x 1.89"weight ca. 266 g / 0.58 lbs