Effect Pedals Bass Effects

We’ve hit a new low. From this moment forward, the power and intensity of bass fuzz is changed forever. The Bass War by Death By Audio is a louder, wider-ranging, earth-shaking bass fuzz that can get more oomph than any other pedal we’ve ever heard. The Bass War began with the idea of making a version of the Fuzz War that was even more perfect for bass. Death by Audio have twisted classic circuit ideas to their own tastes and crafted a wicked, harmonically rich octave fuzz. It boasts extraordinary levels of gain, a massive tone sweep, and a MIX control, providing everything you need for the ultimate bass fuzz at your fingertips. It sounds freaking amazing but it doesn’t stop there, the Bass War goes BEYOND that and can deliver more volume, more tones, more fuzz, and more sonic syrup guaranteed to turn the heads of any bystander. The controls have super-extended ranges that let you dial in so many wildly different tones that are all surprisingly useful and HEAVY. Roll the FUZZ knob back for a dirty, sleazy, grinding drive, turn it up to noon for a super thick distortion, and then alllllll the way up for a blistering wall of total destruction. The TONE knob is a notch filter that transforms the overall sonic spectrum of the fuzz to sound like you are sweeping through an arsenal of 100 different fuzz pedals. Combine this with insane volume on tap and a MIX knob to get the extreme fuzz and distortion you always wanted for your bass without sacrificing volume or floor-shaking subs. Wrap it all up in a DBA punk-style raw enclosure with spray-painted graphics, and all that’s left to do is find a time machine so you can re-record all those old bass parts!Bass Fuzz effect pedaldesigned specifically for bass and low tuningswide range of fuzz tones including drive, distortion, ripping fuzz, and super compressed total destructiona sweepable notch filter and a clean blend mean that almost any bass tone can be achieved with different knob settingscontrols for Fuzz, Volume, Mix, Tonebypass footswitchstatus LEDmetal housing6.3 mm mono jack input / outputpower supply via 9V battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center (battery is not included in the delivery)current draw 33 mAdimensions (L x W x H) 150 x 120 x 57 mm / 5.9" x 4.73" x 2.24"weight approx. 439 g / 0.97 lbshandmade in New York City, USA

Sometimes pedals can change. Parts drift, pots break, transistors go bad. They go to new homes; they get neglected and resold. Sometimes people get in there and try to revive them to their original state and sometimes they just throw whatever is laying around inside and hope it does the trick. EarthQuaker Devices believes that the fuzz pedal that one day found its way to James Murphy and became part of his band LCD Soundsystem's arsenal is where all these things happened. This particular pedal really does have something special. It’s heavy without being too heavy, clean but not too clean. A simple set of controls yet it has an expansive array of tones that makes it very versatile on a wide variety of instruments. It has clarity when you need it and can blur all discernable lines when you don’t. It still retains the familiar foundation of the classic fuzz it was intended to be, but something special happened to it over the years and it has very much grown into its own thing. It is likely that you have heard this pedal before. It has been the chosen bass fuzz for several LCD recordings and has traveled around the world with them. I’d say that it is a prized possession, a real one-of-a-kind pedal. It has been beat up and taped back together. It looks like it shouldn’t work but it always delivers. It is old, it is fragile, and it sounds massive. Too good to retire yet too tired to keep going. That is where we come in. EarthQuaker Devices were tasked with replicating the exact sound of this pedal but in a reliable format that can withstand the stresses of this modern world. No easy feat, for sure, but we persevered and have brought you the Chelsea. Named after the guitar shop in which it was purchased back in 1989, the Chelsea recreates all the idiosyncrasies of the original but without the threat of total collapse. With only three controls, this deceptively powerful pedal offers you everything from light overdrive to full on distortion with all the clarity and blissful grinding that make the original so special. Just like the original, a Tone On/Off switch allows you remove the tone control from the circuit, opening up a whole new world of midrange grind. Switch it off for a simplified and straightforward attack or leave it on for a full-bodied distortion with loads of low end with a slight natural scoop. Roll up the Sustain for wall-shaking bass notes or sustaining lead and adjust the Tone for a wild and wide frequency response from aggressive top end to low-end rumble. Believe it - EarthQuaker Devices have been doing this for a very long time. We promise. Each Chelsea™ is handmade at EarthQuaker Devices headquarters in always sunny Akron, Ohio, USA by a bunch of pretty nice humans and one big robot.Bass Fuzz effect pedaldeveloped with James Murphy from the band LCD Soundsystemoffers you everything from light overdrive to full on distortionsilent relay-based switching with Flexi-Switch technologytrue bypasscontrols for Level, Sustain, Tonetone bypass switchBypass footswitchstatus LEDsmetal housing6.3 mm mono jack input / outputpower supply via optional 9V DC power supply, 2.1 x 5.5 mm barrel plug, polarity (-) insidebattery operation not supportedcurrent draw 10 mAdimensions (L x W x H) 122 x 67 x 57 mm / 4.81" x 2.625" X 2.25"weight 265 g / 0.585 lbshand made in USA

The new "Scrolls Bass Odyssey" effects pedal from EarthQuaker Audio is a versatile, modern tool for bassists who want to shape their sound down to the last detail. It was developed in collaboration with Japanese bass sound master Kentaro Nakao (Number Girl) to process the natural input signal of any bass, effortlessly recreating the sonic character of a wide range of bass and amplifier combinations – from warm vintage sounds in the style of classic Motown recordings to powerful, modern metal tones. Sonically, the Scrolls Bass Odyssey impresses with a broad range of characteristics: The sound is analog, punchy, and articulate, with a dynamic response and a pleasing, tube-like warmth. The pedal allows for flexible and precise shaping of the sound at all times, enabling both subtle nuances and radical tonal transformations. At its core is a powerful drive channel modeled after classic tube amplifiers. Dedicated Blend and Bandwidth controls allow for precise adjustment of the distortion's intensity and frequency distribution. This is complemented by a high-quality EQ channel with active, audiophile-grade tone controls for precise fine-tuning. Three intuitive push-button switches provide quick adjustments in live or studio settings: "Deep" boosts the low frequencies at 80 Hz for rich, clear bass. "Process" creates a mid-cut for a modern, assertive sound, while "Bright" emphasizes the high frequencies at 5 kHz, adding attack and presence to the tone. An integrated effects loop, positioned between the Drive and EQ sections, offers additional options for incorporating external effects. Furthermore, the pedal features an always-on, buffered parallel output that sends an unaltered signal to other devices. For maximum flexibility in the studio and on stage, the Bass Odyssey is also equipped with a balanced XLR output, including analog speaker simulation. This makes it ideal for so-called "ampless" setups, where you play directly into a mixing console or audio interface. Overall, the Scrolls Bass Odyssey presents itself as a powerful, sonically versatile effects pedal that combines modern demands with a classic understanding of sound, opening up new creative possibilities for bassists.Scrolls Bass Odyssey - Drive, EQ & Cab SimulatorAudio tool for bassrecreates a wide variety of bass and amplifier combinationspowerful drive channel modeled after classic tube amplifiershigh-quality EQ channel with active audiophile tone control optionsquick adjustments via push-button 'Deep', 'Process', and 'Bright' switchesintegrated effects loopTrue relay-based bypass circuitryActive, buffered parallel outputXLR output including analog speaker simulationsuitable for 'ampless' setups, allowing direct connection to a mixing console or audio interfaceEQ 'Level' control (output volume)EQ 'Vari' control (boost or cut of the selected frequency)EQ 'Vari-Freq' control (frequency control 20 Hz-10 kHz)EQ tone controls: Treble, Bass, MiddleEQ 'Deep' switch for boost at 80 HzEQ 'Process' switch for attenuation of the lower midsEQ 'Bright' switch for boost at 5 kHzDrive 'Level' control: output volume controlDrive 'Blend' control: mixes the unprocessed signal and the signal from the drive channelDrive 'Bandwidth' control: determines where clipping is most pronouncedDrive 'Tone' control: low-pass filterDrive footswitch: activates the drive channel (with Flexi-Switch technology (Latch/Momentary mode)EQ footswitch: activates the EQ channel6.35 mm jack input6.35 mm jack outputXLR direct output with speaker simulationeffect loop, 6.35 mm input and outputparallel output, buffered, provides the unprocessed signal for external devices (amp, DI, tuner)Status LEDs (EQ and Drive)power supply via optional 9 VDC power adapter, 2.1 x 5.5 mm barrel connector, center negative polaritycurrent draw 70 mAdimensions (L x W x H) 4.75'' x 4.5'' x 2.25'' / 121 x 114 x 57 mmweight 1.16 lbs / 526 gmade in the USA

The Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering. The Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. VCA compressors give you precise control. Therefore they are directly suited to bass guitars. The Keeley Bassist Compressor is both musical and very transparent. Where our older compressors were based on the CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley Bassist Compressor has no problems with active pre-amps and line level input signals! Not only can the Keeley Bassist handle astonishingly large signals, it has an incredible bandwidth of over 20 KHz and incredibly low noise. No detail in your bass guitar’s tone will be lost. The Keeley Bassist will be a sound investment in your tone, you now have rack-mount quality at your feet.Bass Limiter/compressor effects pedalMetal housingTrue bypassStatus LEDbi-color Threshold indicator LEDControls for Compression, Threshold and GainBypass footswitch6.3 mm mono IN/OUT jacksPower supply 9V battery or optional 9V DC adapter 2.1 mm x 5.5 mm barrel plug, polarity (-) centerCurrent draw 50 mADimensions (D x W x H) 112 mm x 68 mm x 51 mmWeight 277 gMade in USA

The Keeley Compressor Mini is designed to make the magic of compression simple and easy to use. Featuring Manhattan-style (parallel) compression, the Compressor Mini intuitively and automatically delivers the perfect blend of dynamic and compressed guitar signal. This is how the Compressor Mini retains all the subtlety and dynamics in your playing, making it effortless to play and sound your best. An all-new transient release time is set to make both single coils or humbuckers sound lively and expressive. The new automatic tone recovery circuit ensures crystal clear highs, even with high compression settings. The Keeley Compressor Mini's pre-amp tone is legendary; pushing both pedals and amplifiers to their greatest potential. With any style of guitar, playing live or at the recording desk, the Compressor Mini is your secret weapon. Keeley has done the math for you - this is the new calculus for great tone!compressor / sustainer effects pedalparallel compression with auto-blend to enhance clarity and note definitionincreased sustain range for even more subtle compressionnew transient release time works equally well with humbuckers or single coilsautomatic tone recovery circuit works as treble clarifier for high compression settingsbuilt-in preamp for incredible guitar tonetrue bypasscontrols for Level, Compbypass footswitchstatus LEDmetal housing6.3 mm mono in / output jackspower supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centerbattery operation not supportedcurrent draw 10 mAdimensions (L x W x H) 95 x 47 x 50 mm / 3.74" x 1.85" x 1.96"weight ca. 140 g / 0.30 lbs

The ensemble Queen Bass Chorus pedal produces a warm, smooth and lively chorus effect. Yet, it leaves the bass range, assertiveness and pressure of the instrument unaffected.Bass Chorus PedalDigitalMetal housingTrue BypassStatus LEDControls for Level, Tone, Depth and Rate6.35 mm mono IN/OUT jacksPower supply optional 9V DC adapter, 2.1 mm barrel plug polarity (-) centerCurrent draw 110mAdimensions (L x W x H) 93.5 x 42 x 52 mm / 3.68" x 1.65" x 2.04"weight 145 g / 0.32 lbs

The One Control Blackberry Bass OD hearkens back to the original BJFe Blueberry Bass Overdrive model, one of the classics from early BJFe production. This is a very light overdrive pedal specifically designed for bass players (but also great on guitars) that helps to create a slightly overdriven and more present bass tone at any volume and with any amplifier! Many players have described this quality as 'grit' - similar to a large tube bass amp being driven hard at concert volume, but now in a pedal format. Bjorn Juhl has taken the very first BBOD model he ever created as a basis, and then added a new Body knob to the original circuit, enabling the player to precisely dial in the midrange 'body' frequencies of their tone to make the bass guitar more prominent in the mix without increasing the overall volume. This version is one of One Control's bass-specific tools to enhance your low end presence. It’s also a secret weapon for the downtuned and 7/8 string guitar brigade, with a new heaviness for that lower frequency spectrum.bass overdrive effects pedalbased on the BJFe Blueberry Bass Overdrivespecifically designed for bass players (but also great on guitars)perfect for slightly overdriven and more present bass tonedesigned by Bjorn Juhltrue bypasscontrols for Body, Drive, Volume, Depthbypass footswitchstatus LEDaluminum housing6.3 mm mono in / output jackspower supply via 9V battery or optional 9V DC power supply, 2.1 mm x 5.5 mm barrel plug, polarity (-) center (battery not included)current draw 3.6 mAdimensions (L x W x H) 113 x 66 x 46 mm / 4.44" x 2.59" x 1.81"weight ca. 305 g / 0.67 lbs

While guitarists have often expressed a degree of disdain for solid state amplifiers ever since their inception, bassists have always been more open-minded about these transistorized beasts. And while there have been quite a few famous solid state bass amps over the years, none are as legendary and storied as the original Acoustic 360 preamp. The 360 was loud, but thanks to its innovative design, it also had a wonderful tone and a very musical sound. The One Control Blue 360 AIAB reproduces the sound of the legendary 360 preamp and can instantly give your modern, high tech amp the response of 70’s-era high-powered transistor amp. The Blue 360 pedal delivers a bass tone that fits in perfects with high-density, powerful band sounds - especially those with high volume, distorted guitar - making it a great option for classic rock, punk, etc. The switch on the side works as a pre-set master volume. All boost is set by the Volume control. At the -18 dB setting, cranking Volume to full will deliver a similar level to bypass mode, allowing you to set the pedal to create distortion tones when on, while keeping your signal at the same volume whether the pedal is on or off. At the 0dB setting, the output level will increase as you turn up the Volume.Bass Preamp / Amp-In-A-Box Effektpedalreproduziert den Sound und Charakter des Acoustic 360 Preamps kräftiger, definierter Bass-Sound der optimal ins Band-Gefüge passtflexible Klangregelung mit 3-Band EQBass -26 dB bis +6 dB bei 32 HzMid -15 dB bis +6 dB bei 600 HzTreble -26 dB bis +20 dB bei 3 kHzentwickelt von Bjorn JuhlTrue BypassRegler für Volume, Treble, Mid, Bassseitlicher Schalter für -18 dB ModeBypass FußschalterStatus LEDGehäuse aus gebürstetem Aluminium6,3 mm Mono-Klinken Ein- / AusgangStromversorgung via 9V Batterie oder optionalem 9V DC Netzteil, 2,1 x 5,5 mm Hohlstecker, Polarität (-) innen (Batterie ist nicht im Lieferumfang enthalten)Stromaufnahme 1,5 mAAbmessungen (L x B x H) 100 x 47 x 46 mmGewicht ca. 160 g

The One Control Crimson Red Bass Preamp was designed to reproduce the iconic old school 60s / 70s electric bass sound by giving the bottom end a boost at an extremely low distortion level. The CRB reproduces the sound similar to a single 15" or 18" setup. The innovative Brilliance knob works as a bandwidth control: At maximum, treble can pass, but the more you turn the knob counter-clockwise, only low-end is amplified. The Crimson Red Bass Preamp can be used as a preamp for modern bass amp setups to bring back that old school feeling of a 60s upright bass or 70s electric bass.bass preamp effects pedalreproduces the iconic old school 60s / 70s electric bass soundpowerful low-end, similar to a single 15" or 18" woofer setupdesigned by Bjorn Juhltrue bypasscontrols for Volume, Brilliance, Gainbypass footswitchstatus LEDbrushed aluminum housing6.3 mm mono in / output jackspower supply via 9V battery or optional 9 - 15V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center (battery is not included in the delivery)current draw 1 mAdimensions (L x W x H) 100 x 47 x 46 mm / 3.93" x 1.85" x 1.81"weight ca. 160 g / 0.35 lbs

The One Control Hooker's Green Bass Machine 4K has a dynamic range as wide as a bass tube amp and picks up all the subtle expressions that bassists create with their fingers. Transitions between clean and distorted sounds are smooth and it creates a gorgeous but stable compression tone like an old transistor amp when you increase the distortion. It won't miss any finger touches and accurately produces any groove from blues, fusion, or hard rock to metal. Its moderately sharp attack and clear sounding keys do not decrease the speed realized by picking. With slapping, percussive chunks of sound by thumbing pop up, and sound created by pulling can be maintained and kept stable. The ability to freely control distortion enables you to play in a relaxed and comfortable way. For heavy tracks using a multi-string bass, the Low Boost control does its job. The OC Hooker's Green Bass Machine 4K has enough low-end, but if it's not enough, adjust the Low Boost to unlock even more low-end. The Treble knob has a limited range to allow subtle adjustment. Many music venues and studios have modern bass amps equipped with powerful EQ and basic bass sound is created using that. What is required for an overdrive pedal is delicate sensory adjustment that is impossible with amp EQ. This pedal can also be used as an overdrive pedal when paired with a guitar.bass overdrive / distortion effects pedalwide range of possible sounds for bass and guitardesigned by Bjorn Juhltrue bypasscontrols for Treble, Volume, Drive, Low Boostbypass footswitchstatus LEDbrushed aluminum housing6.3 mm mono in / output jackspower supply via 9V battery or optional 9 - 18V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center (battery is not included in the delivery)current draw 12 mAdimensions (L x W x H) 100 x 47 x 48 mm / 3.93" x 1.85" x 1.88"weight ca. 160 g / 0.35 lbs

The One Control Sonic Silver Peg reproduces the sound of the iconic 100W 'V4' tube amplifier released by Ampeg in the 1970s. This highly responsive bass preamp is adaptable to any style of play and a perfect tool for any bass player. With a dynamic tone range similar to the original amp, the switch on the side of the enclosure allows for a cut of -15 dB. In addition, the Sonic Silver Peg has an active Mid knob that realizes a boost / cut of +/- 15 dB centered around 800 Hz. The Tone knob controls the low pass filter which can sweep from 300 Hz to 10 kHz. And, with the 0 dB / -15 dB switch, it is also possible to switch the sound of the two original inputs. From a clean, craftsmanship bass tone to colorful and powerful overdrive tones. Since there is a sufficient output level, it can also be outputted directly to a mixer. This pedal creates the craved universal bass tone that everyone is looking for. Try the Sonic Silver Peg for yourself.bass preamp / amp-in-a-box effects pedalreproduces the sound and character of a vintage Ampeg V4 ampactive Mid control features +/- 15 dB at 800 HzTone knob controls the low pass filter which can sweep from 300 Hz to 10 kHzdesigned by Bjorn Juhltrue bypasscontrols for Volume, Tone, Midside switch for -15 dB modebypass footswitchstatus LEDaluminum housing6.3 mm mono in / output jackspower supply via 9V battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center (battery is not included in the delivery)current draw 2 mAdimensions (L x W x H) 100 x 47 x 48 mm / 3.93" x 1.85" x 1.88"weight ca. 160 g / 0.35 lbs

The Phil Jones Bass PE-5 was designed for bass guitar and upright bass and incorporates a sophisticated 5-band EQ and also offers superior function as a preamp, direct box, and signal booster. The PE-5 is engineered with a unique switchable input impedance which allows the pedal to match exactly to either a magnetic or piezo pickup. It achieves the full band spectrum for either pickup source. In addition it is a signal booster which compensates for low output pickups and will also provide ample drive for any amplifier. The input level and gain controls are designed to precisely match the pickup output to an amplifier. The line output is strong enough to use directly into a power amplifier or a powered speaker. The 5-band EQ is a high precision equalizer which means that each boost or cut level is identical to each adjacent band. Plus the Q factor of each band is identical. This makes it far easier for the player to accomplish the tone that they are pursuing. These frequency bands were carefully chosen for the voice of a bass so that the user will be able to adjust the EQ rapidly to get the desired sound. The DI output is of the highest audio quality obtainable providing a match to even the finest recording studio mixing consoles and live sound systems. It has extremely high signal to noise ratio and features a ground lift switch to eliminate the possibility of 'Mains Hum'. The PE-5 can be powered by a standard 9-volt DC pedal adaptor or run on its own internal lithium-ion battery that is charged with a standard cell phone charger via its USB socket. The two footswitches provide a mute function and a true bypass. The rugged housing is constructed of die cast aluminum alloy made to deliver years of service.bass preamp / 5-band EQ / direct box / boost effects pedalinput level and gain controls are designed to precisely match the pickup output to the used amplifierabsolute transparent soundadjustable gain range from - 6 dB to + 6 dB 5-band EQ with adjustable Lo-Bass (+/- 12 dB at 50 Hz), Hi-Bass (+/- 15 dB at 160 Hz), Mid (+/- 15 dB at 630 Hz), Lo-Treble (+/- 15 dB at 2.5 kHz), Hi-Treble (+/- 15 dB at 12 kHz)switchable input impedance for magnetic and piezo pickups (4.7 MΩ piezo, 2 MΩ magnetic)switchable ground lift for balanced DI outputswitchable pre / post EQ setting for balanced DI outputseparate on / off switch for EQ sectionbuilt-in rechargeable lithium-ion battery (2,200 mAh battery capacity)runs up to 8 hours per battery chargetrue bypasscontrol for Level, Gain, Lo-Bass, Hi-Bass, Mid, Lo-Treble, Hi-TrebleGND / LIFT switchPRE / POST switchEQ ON / OFF switchPZ / MG switchmute footswitchbypass footswitchstatus LEDsdie cast aluminum alloy housing6.3 mm mono in / output jacksbalanced DI output (XLR)USB Type-C socket (battery charge input)power supply via built-in lithium-ion battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centercurrent draw 1,000 mAdimensions (L x W x H) 95 x 120 x 37 mm / 3.74" x 4.72" x 1.45"weight ca. 450 g / 0.99 lbs

The Sadowsky SBP-1 Bass Preamp offers bassists the same electronics that has been built into every Sadowsky bass for over 30 years. With the flexible combination of preamp and DI box, the pedal can be used in the effects setup in front of the amplifier or to connect your bass directly to a mixer or the PA. The control options are kept simple with Volume, Treble and Bass, Treble and Bass only work as a boost. The SBP-1 Bass Preamp is ideal for upgrading old vintage instruments where you don't want to change the original electronics. The best results are achieved with passive basses or circuits with active pickups, where you can bypass the active electronics.Bass preamp / EQ / DI effects pedalOffers the same quality Sadowsky electronics that are built into Sadowsky bassesBoost only EQ section for Bass and TrebleSwitchable mute for the instrumentDI output to connect the pedal directly into a PA or recording consoleBass + 18 dB boost at 40 HzTreble + 18 dB boost at 4 kHzTrue bypassControls for Volume, Treble, BassGround Lift switchBypass footswitch (On / Off)Mute footswitchStatus LEDsMetal housing6.3 mm mono in / output jacks6.3 mm mono tuner outputXLR out (DI)Power supply via 9V battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center (Operating with 18V is not recommended, as this could destroy the circuit)Current draw 11 mADimensions (L x W x H) 106 x 107 x 61 mm / 4.17" x 4.21" x 2.4"Weight ca. 780 g / 1.72 lbs

The Sadowsky SBP-2 Bass Preamp offers bassists the same electronics that has been built into every Sadowsky bass for over 30 years. The preamp pedal is perfect for the use in the effects setup in the front end of the amplifier. The control options are kept simple with Volume, Treble and Bass, Treble and Bass only work as a boost. The SBP-2 Bass Preamp is ideal for upgrading old vintage instruments where you don't want to change the original electronics. The best results are achieved with passive basses or circuits with active pickups, where you can bypass the active electronics. It also works great with all upright bass pickups.Bass preamp / EQ effects pedalOffers the same quality Sadowsky electronics that are built into Sadowsky bassesBoost only EQ section for Bass and TrebleBass + 18 dB boost at 40 HzTreble + 18 dB boost at 4 kHzTrue bypassControls for Volume, Treble, BassBypass footswitchStatus LEDsMetal housing6.3 mm mono in / output jacksPower supply via 9V battery or optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center (Operating with 18V is not recommended, as this could destroy the circuit)Current draw 3 mADimensions (L x W x H) 112 x 70 x 53 mm / 4.41" x 2.75" x 2.08"Weight ca. 265 g / 0.58 lbs

With the AfterShock Bass Distortion it gets really dirty. By itself and directly out of the box, it comes with three massive bass distortion engines of enormous tonal range. Their spectrum spans from low-end crunch to subtle tube-like overdrive to in-your-face germanium style Fuzz. Plugged to a smartphone one gets access to a myriad of further parameters and a library of over 40 overdrive, distortion and Fuzz algorithms via the Neuro App. MIDI compatibility via the separately available Source Audio Neuro Hub as well as stereo in- and outputs make this one of the most flexible bass drives on the market.bass fuzz effects pedal3 distinct Bass Fuzz circuitsMIDI compatible via Source Audio Neuro Hubmore parameters and algorithms editable via Neuro Mobile App (iOS & Android)connects to smartphone via headphone jackuniversal Bypass, analog buffered or relay-based true bypass selectable56-bit Processor and 24-bit convertercontrols for Drive, Clean, Tone and Leveltoggle switch for selecting between TUBE, HEAVY and FUZZ modesbypass footswitchbrushed anodized aluminum housing6.3 mm mono left & right Input and Output jacks for multiple routing possibilities3.5 mm TRRS Control Input for Expression control via Hot Hand 3 or Expression Pedal for external real-time control of assignable parameters.Mini USB Port for PC connectivity (Windows and Mac Compatible)power supply via optional 9V DC adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centercurrent draw 180 mA (max. 220 mA with Hot Hand Wireless Adapter)dimensions (L x B x H) 114 mm x 70 mm x 51 mmweight 280 g4 Years W-Music Distribution Warranty (product registration required)

The Source Audio SA 252 One Series Atlas Compressor features a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry's most sought-after compressors and with the push of a button, Atlas can be easily optimized for either guitar or bass. Straight out of the box, Atlas delivers six different styles of compression, ranging from classic stompbox compressors to high-end rack units. The pedal also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Mix, allowing for fine-tuned control over the compact One Series hardware. Like all One Series pedals, it is possible to get even more out of your Atlas Compressor by connecting to the Neuro Desktop Editor or Mobile App. Neuro editing unlocks the power of a full studio compressor module, similar to what you would see in a DAW plug-in or analog rack-mount gear. The Neuro Editor includes a signal readout display that shows the compressor's gain reduction in real time. In addition, the Neuro Editor features extra deep and powerful parameters for further tweaking and tonal exploration. Discover the full history of audio compression, from VCA to RMS to Optical and more with the one-of-a-kind Atlas Compressor.compressor effects pedalswitchable guitar / bass modebass mode converts all factory presets to be used with a bass guitar (adjusted dynamic range and attack characteristics) 6 selectable types of compression (2x Optical, 1x VCA, 1x FET, 2x Dual-Band) including LA2A Optical Compression (warm and smooth compression), 1176 Feedback FET Compression (full body and a super-fast attack), LED Optical Compressor (similar concept as the LA2A, but with a quicker, dirtier response) and Rackmount VCA-style compression (fast response and a hard knee)two selectable dual compressor modes can be used in in a variety of ways (Series, Parallel, Band Split)additional compressor types available via Neuro Editordirect access to all essential compression parametersAuto Makeup Gain automatically increases or decreases the Makeup Gain depending on the amount of compressionLook Ahead Compression creates an imperceptible latency in the signal that 'looks into the future' and allows for an extra quick and smooth attack without any additional distortion or artifactsSide Chain Compression uses the signal going to Input 2 to trigger the compression applied to the signal going into Input 13-band parametric or 8-band graphic equalizers available via Neuro Editoradjustable noise gatecreate, save, and share presets with the Neuro Desktop Editor or the Neuro Mobile Appfull MIDI capabilities with the Source Audio Neuro Hubcontrols for Threshold, Ratio (Tone), Blend (Attack), Output (Release)preset toggle switch for 6 onboard presetsALT control button activates secondary function of the potsbypass footswitchstatus LEDsbrushed anodized aluminum housinguniversal bypass, analog buffered or relay-based true bypass selectable2x 6.3 mm TS mono inputs2x 6.3 mm TS mono outputsMini USB Port for PC connectivity (Windows and Mac compatible)3.5 mm control input jack to control up to four parameters with and external expression pedalpower supply via optional 9V DC (SR SA 153) adapter, 2.1 x 5.5 mm barrel plug, polarity (-) centercurrent draw 165 mAbattery operation not supporteddimensions (L x W x H) 114 x 70 x 51 mm / 4.5" x 2.75" x 2"

The Thorn Basstard - Flex Bass Overdrive is a highly versatile and powerful overdrive pedal designed specifically for bass players. Offering a wide range of controls, it allows precise tailoring of sound to fit different playing styles and tonal preferences. The intuitive knobs, including Gain, Damping, Headroom, Volume, as well as the parametric controls for Bass, Mid, and Treble, provide detailed tonal shaping, while the Blend knob ensures the perfect mix of clean and overdriven signal. For added flexibility, the Thorn Basstard features various switch options, including Symmetry to select the distortion characteristic, a Mid Freq switch to adjust the midrange frequency, and a choice between Class A and Class AB for different tonal behaviors. The Thorn Basstard - Flex Bass Overdrive provides bass players with a versatile tool capable of delivering everything from subtle tonal nuances to bold distortion with ease. flexible Bass Overdriveperfect for pairing with pedals or with any amplifierall analogcontrols: Gain – Damping – Headroom – Volume – Bass - Mid – Treble – Blendthe Damping control adjusts how much low-frequency sound reaches the distortion circuitswitches: Symmetry O/I – Mid Freq - Class A/Bfootswitch: Effects Bypasshardwire true bypassstatus LED: Effect On/Offinput: 1/4” (6.35 mm) mono TS jackoutput: 1/4” (6.35 mm) mono TS jackinput impedance = 470 kOhmoutput impedance = 2.2 kOhmpower supply: 9 – 18V DC – NOTE: do not connect more than 18V DCcurrent draw: 24 mApower supply connector: 5.5 x 2.1 mm barrel plug, center negativepower supply not includedno battery operation possibledimensions: Width x Depth x Height: 3.70" x 4.72" x 1.50" (94 x 120 x 38 mm)dimensions with switches, jacks & knobs: 3.70" x 4.86" x 2.09" (94 x 123.5 x 53 mm)weight: 0.90 lbs. (410 g)

Pedal compressors generally fall into two categories: transparent, studio-style compression and the squishy compression effect commonly associated with country music. The STEAM®BASS compressor effectively combines both styles while introducing some innovative features. Designed to deliver Classic Analog Tones with Refined Modern Control, it includes controls for Threshold, Amount, Attack, Release, Detail, and Output, along with a Manual/Auto mode switch. In Auto mode, the compressor dynamically adjusts to your playing by modifying the Attack and Release settings accordingly. Simply set the pedal to your preferred compression settings and let Auto mode handle the rest. With its intuitive controls and versatile features, the STEAM®BASS compressor is the ideal tool for musicians seeking to enhance their dynamic control and add punch to their playing. flexible Bass Compressorperfect for pairing with pedals or with any amplifierall analogcontrols: Threshold – Ratio – Attack – Release – Detail - Gainswitch: Auto/Manualfootswitch: Effects Bypasshardwire true bypassstatus LED: Effect On/Offinput: 1/4” (6.35 mm) mono TS jackoutput: 1/4” (6.35 mm) mono TS jackinput impedance = 470 kOhmoutput impedance = 2.2 kOhmpower supply: 9V DC – NOTE: do not connect more than 9V DCcurrent draw: 29 mApower supply connector: 5.5 x 2.1 mm barrel plug, center negativepower supply not includedno battery operation possibledimensions: Width x Depth x Height: 3.70" x 4.72" x 1.50" (94 x 120 x 38 mm)dimensions with switches, jacks & knobs: 3.70" x 4.86" x 2.09" (94 x 123.5 x 53 mm)weight: 0.84 lbs. (380 g)